Reason 3 For Windows and Mac
- VISUAL QUICKSTART GUIDE Reason 3 FOR WINDOWS AND MAC
- Table of Contents
- Copyright
- Acknowledgements
- Chapter 1. Introduction
- What s in the box?
- Who Is This Book For?
- What Does Reason Do?
- Using Reason with Other Programs
- Recording Outside Sound
- What s New in 3.0
- Digital Audio Basics
- Chapter 2. Installation
- Before You Start
- Audio Hardware
- Setting Up MIDI
- Installing Reason
- Changing Preferences
- Setting Up Control Surfaces
- Chapter 3. Reason Overview
- Getting Around in Reason
- The Reason Work Process
- Switching Windows
- The Sequencer Edit Mode
- Introducing Controllers
- The Back of the Rack
- Understanding Control Voltage (CV)
- Getting Rid of the Demo Song
- Chapter 4. Getting Started
- Starting Your First Song from Scratch
- The Reason 14:2 Mixer
- The Redrum Machine
- Loading Samples
- Getting the Redrum to Play
- Making a Beat Loop
- Writing a Drum Track
- Mixing the Drums
- Changing Drum Sounds
- Copying and Moving Notes
- Moving Beyond the Loop
- Editing Timing in Reason
- Using an External MIDI Input Device
- Custom Quantization: User Groove
- Saving Your Work
- Chapter 5. Building a Song
- Adding a SubTractor
- Synth Basics
- Oscillators
- Phase Modulation
- The Noise Generator
- Keyboard Tracking
- Adding Frequency Modulation
- Using Filters
- Adding a Second Filter
- Using Envelopes
- Low-Frequency Modulation
- The Modulation Envelope
- Using the Velocity Section
- Other Play Parameters
- Putting It All Together
- Adding a Malstrm
- Changing Malstrm Waveforms
- Creating a Pad
- Making a Slow Pad with the Malstrm
- Routing Signals in the Malstrm
- The Malstrm Filters
- Malstrm Play Parameters
- The Malstrm Outputs
- The Malstrm Audio Inputs
- Chapter 6. Working With Samplers
- Creating an NN-19 Sampler
- Writing Your First Sampler Track
- Writing Multiple Parts
- Creating Your Own Instruments
- Multisampled Instruments
- Creating Multisampled Instruments
- Mapping Multiple Key Zones
- Using Unpitched Instruments
- Mapping Unpitched Samples
- Writing an Unpitched Track
- Using the NN-19 Controls
- Controller Automation
- The NN-XT Advanced Sampler
- NN-XT Patch Anatomy
- Creating an NN-XT Instrument
- Layering Samples
- Setting Up Groups
- The Group Parameter Knobs
- Copying Samples Between Two NN-XTs
- Modifying NN-XT Parameters
- Advanced Maps: Reverse Drums
- The Dr. Rex Loop Player
- Dr. Rex Dance Guitar
- Bouncing a Loop
- Modulating a Bounced Loop
- Rearranging Slices in Your Sequencer
- Slice Files and the NN-XT
- Chapter 7. Patterning
- The Redrum Pattern Sequencer
- The Pattern Bank
- The Matrix Pattern Sequencer
- Chapter 8. Effects
- Adding Echo
- Adding Reverberation
- Creating a Master Effect
- Exploring Reverb Types
- Adding Distortion
- The Scream 4 Sound Destruction Unit
- Using the Other Scream 4 Controls
- Phase Effects
- The CF-101 ChorusFlanger
- The PH-90 Phaser
- The UN-16 Unison
- EQ Effects
- The PEQ-2 Two Band Parametric EQ
- The BV512 Vocoder
- Vocoding
- Chapter 9. Cabling Setups
- Introducing the Combinator
- Creating Multi-Instruments
- Using Gated Reverb
- Chaining Effects
- Chapter 10. Arranging and Mixing
- Grouping Sections
- Editing Groups
- Mixing
- Chaining Mixers in Parallel
- Submixing with a Combinator
- Setting Signal Levels
- Automating a Mix
- Rack Remixing with the Combinator
- Exporting Audio
- Importing Audio
- Chapter 11. Mastering
- Before You Start Mastering
- Adding an MClass Mastering Suite
- Using the MClass Equalizer
- Using the MClass Stereo Imager
- Usine the MClass Compressor
- Using the MClass Maximizer
- Creating a Multiband Compressor
- Using Sidechains
- Outputting Your Song
- Appendix A. Rewire, Recycle, Rebirth
- Reload
- ReWire
- ReCycle
- ReBirth
- Appendix B. Resources
- Information sites
- Reason forums
- Samples and ReFills
- Creating Your Own ReFills
- Index
- SYMBOL
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Z