Less is More, Maybe

My personal type aesthetic is a minimalist one, though I wonder if this is just laziness: If less is more, then maybe I can get away with knowing fewer typefaces. Perhaps more is more, but the reality is that it's better to know and understand a few typefaces well than to have a font list a mile long and only a passing acquaintance with the fonts that are on it.

Choosing a typeface is about enhancing the meaning of the text you are working with. It's also about meeting the expectations and matching the tastes of your client. In a perfect world, we'd all read and thoroughly digest the text documents we are given to work with as raw materials. Depending on the length of your documents, that may or may not be possible, but you should at least have an understanding of the intended message.

Figure 3.1. A page from Adobe's online type library.

Part I: Character Formats

Getting Started

Going with the Flow

Character Reference

Getting the Lead Out

Kern, Baby, Kern

Sweating the Small Stuff: Special Characters, White Space, and Glyphs

OpenType: The New Frontier in Font Technology

Part II: Paragraph Formats

Aligning Your Type

Paragraph Indents and Spacing

First Impressions: Creating Great Opening Paragraphs

Dont Fear the Hyphen

Mastering Tabs and Tables

Part III: Styles

Stylin with Paragraph and Character Styles

Mo Style

Part IV: Page Layout

Setting Up Your Document

Everything in Its Right Place: Using Grids

Text Wraps: The Good, the Bad, and the Ugly

Type Effects

InDesign Type. Professional Typography with Adobe InDesign CS2
InDesign Type: Professional Typography with Adobe InDesign CS2
ISBN: 0321385446
EAN: 2147483647
Year: 2004
Pages: 186
Authors: Nigel French

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