When to Track

OK, after all the safety warnings and disclaimers, here are some scenarios when negative tracking can come in handy:

  • In headlines, especially sans serif headlines, the space between the letters can look disproportionately large. Because widely set letters make the words harder to read, applying negative tracking can help the characters hold together better and form more easily recognized word shapes. Don't overdo it, though; tracking too tightly will cause characters to collide and words to run into each other.

    Figure 5.10. A headline without tracking (example A) and with 25 tracking (example B) applied as part of a style sheet definition.

  • Condensed typefaces may benefit from a modest amount (10) of negative tracking.
  • Negative tracking can be used to help fix composition problems in passages of text. When tracking tighter across a range of text or a paragraph to pull back a line, remember that, like so much of good typography, your tracking adjustments should be "invisible." If the reader can tell, then you've gone too faras a general rule of thumb, avoid using more than 15/1000 of an em. Also, if you have your Justification and Hyphenation set up correctly, there will be much less need for manual intervention in the form of tracking. (See Chapter 8: " Aligning Your Type")

    Tip: Quark Kerning and Tracking Conversions

    If you're a Quark refugee, you'll need to multiply your old Quark kerning and tracking values by 5 to give you the equivalent InDesign values. In Quark terms, a kerning/tracking value of 1 equals 1/200th of an em; in InDesign, "1" equals 1/1000th of an em. For example, if you tracked text to 1 in Quark, you would need to track it to 5 in InDesign.


    Figure 5.11. Tracking to bring back a short line. In example A, line 5 suffers from bad word spacing and line 6 is short. In example B, the second paragraph has 5 tracking applied, which is sufficient to pull the last line back as well as improve the word spacing.

  • In script faces, the characters should connect with each other so that the type looks like handwriting. If the font has well-designed kerning metrics, no intervention will be necessary. But pay careful attention to the way these characters connector don't connect, as the case may beand adjust your tracking accordingly.

Positive tracking might be useful in these situations:

  • Headlines set in all caps, especially in serif faces, look more elegant with positive tracking of up to 50/1000 of em.
  • Positive tracking can help improve the type color of very small type like captions or photo credits. Again, be cautioustoo much tracking will cause the type to fall apart and lose its distinctive word shapes.
  • When reversing type out of a solid background, positive tracking can improve readability.

Figure 5.12. All caps serif title treatment with no tracking (example A) and reduced in size with +200 tracking (example B).

Figure 5.13. Reversed-out text with no tracking (example A) and with +25 tracking (example B).

Figure 5.14. Text block with word spaces adjusted (example A) and tracked (example B).

Tip: Adjusting Word Spacing

Here's a handy feature: The ability to adjust the word spacing across a range of characters while leaving the character spacing unaffected. Command+Option+Delete (Ctrl-Alt-Backspace) will tighten the word spaces; Command+Option+Shift-Backslash (Ctrl+Alt+Shift+ Backslash) will increase the word spaces.

Controlling Widows and Orphans

Part I: Character Formats

Getting Started

Going with the Flow

Character Reference

Getting the Lead Out

Kern, Baby, Kern

Sweating the Small Stuff: Special Characters, White Space, and Glyphs

OpenType: The New Frontier in Font Technology

Part II: Paragraph Formats

Aligning Your Type

Paragraph Indents and Spacing

First Impressions: Creating Great Opening Paragraphs

Dont Fear the Hyphen

Mastering Tabs and Tables

Part III: Styles

Stylin with Paragraph and Character Styles

Mo Style

Part IV: Page Layout

Setting Up Your Document

Everything in Its Right Place: Using Grids

Text Wraps: The Good, the Bad, and the Ugly

Type Effects

InDesign Type. Professional Typography with Adobe InDesign CS2
InDesign Type: Professional Typography with Adobe InDesign CS2
ISBN: 0321385446
EAN: 2147483647
Year: 2004
Pages: 186
Authors: Nigel French

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