Section 8.6. Painting Over Freckles, Scratches, and Hairs

8.6. Painting Over Freckles, Scratches, and Hairs

Sometimes an otherwise perfect portrait is spoiled by the tiniest of imperfectionsa stray hair or an unsightly blemish, for example. Professional photographers, whether working digitally or in a traditional darkroom, routinely remove such minor imperfections from their final printsa process known as retouching , for clients known as self-conscious .

iPhoto's Retouch brush lets you do the same thing with your own digital photos. You can paint away scratches, spots, hairs, or any other small flaws in your photos with a few quick strokes.

When Cropping Problems Crop Up

Remember that cropping always shrinks your photos. Remove too many pixels, and your photo may end up too small (that is, with a resolution too low to print or display properly).

Here's an example: You start with a 1600 x 1200 pixel photo. Ordinarily, that's large enough to be printed as a high-quality , standard 8 x 10 portrait.

Then you go in and crop the shot. Now the composition is perfect, but your photo measures only 800 x 640 pixels. You've tossed out nearly a million and a half pixels.

The photo no longer has a resolution (pixels per inch) high enough to produce a top-quality 8 x 10. The printer is forced to blow up the photo to fill the specified paper size, producing visible, jaggy-edged pixels in the printout. The 800 x 640 pixel version of your photo would make a great 4 x 5 print (if that were even a standard size print), but pushing the print's size up further noticeably degrades the quality.

Therein lies a significant advantage of using a high-resolution digital camera (5 or 6 megapixels, for example). Because each shot starts out with such a high resolution, you can afford to shave away a few hundred thousand pixels and still have enough left over for good- sized , high-resolution prints.

Moral of the story: Know your photo's size and intended useand don't crop out more photo than you can spare.

The operative word here is small . The Retouch brush can't wipe out a big blob of spaghetti sauce on your son's white shirt or completely erase somebody's mustache . It's intended for tiny fixups that don't involve repainting whole sections of a photo. (For that kind of photo overhaul , you need a dedicated photo-editing program.)

The Retouch brush works its magic by blending together the colors in the tiny area that you're fixing. It doesn't cover the imperfections you're trying to remove, but blurs them out by softly blending them into a small radius of surrounding pixels. You can see the effect in Figure 8-4.

Tip: The Retouch brush is particularly useful if your photo library contains traditional photographs that you've scanned in. You can use it to wipe away the dust specks and scratches that often appear on film negatives and prints, or those that are introduced when you scan the photos.

Figure 8-4. The key to using the Retouch brush is to target small areas and use restraint so that you don't overblur the area you're working on. Notice how the Retouch brush was used on the original photo (top) to soften wrinkles around the eye and remove imperfections in the upper-left corner (bottom), like an application of digital Botox.

8.6.1. Using the Retouch Brush

The Retouch brush appears at the bottom of the window as soon as you open a photo for editing. You can also switch to it whenever you're in Editing mode, by Controlclicking a photo and choosing Retouch from the shortcut menu.

Once you've selected the Retouch brush, your pointer turns into a small crosshair with a hole in the middle. Using the center of the crosshair, target the imperfection and "paint" over it, using a series of short strokes to blend it with the surrounding portion of the picture. Don't overdo it: If you apply too much retouching, the area you're working on starts to look noticeably blurry and unnatural , as if someone smeared Vaseline on it.

Fortunately, you can use the Edit Undo command ( -Z) to take back as many of your brush strokes as necessary.

Note: On high-resolution photos, it can take a moment or two for iPhoto to process each individual stroke of the Retouch brush. If you don't see any results, wait a second for iPhoto to catch up with you.

iLife 05. The Missing Manual
iLife 05: The Missing Manual
ISBN: 0596100361
EAN: 2147483647
Year: 2005
Pages: 314
Authors: David Pogue
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