|  | | | | | 73. Jacques Derrida, Positions, trans. Alan Bass (Chicago: Univ. of Chicago Press, 1981), p. 26. | | | | | | | | | 74. B la Bal zs, Theory of the Film: Character and Growth of a New Art, trans. Edith Bone (New York: Dover, 1970), p. 118. | | | | | | | | | 75. Derrida, Positions, p. 26. | | | | | | | | | 76. Maurice Merleau-Ponty, Signs, trans. Richard McCleary (Evanston: Northwestern Univ. Press, 1964), p. 81. | | | | | | | | | 77. Bordwell, Narration in the Fiction Film, p. 34. | | | | | | | | | 78. Henri Bergson, Matter and Meaning, trans. Nancy Margaret Paul and W. Scott Palmer (London: George Allen and Unwin, 1919), p. 126. | | | | | | | | | 79. See Friedrich Nietzsche, The Will to Power, trans. Walter Kaufmann and R.J. Hollingdale (London: Weidenfeld and Nicolson, 1968). | | | | | | | | | 80. Mitry, vol. 1, p. 283. | | | | | | | | | 81. See Norman N. Holland, Five Readers Reading (New Haven: Yale Univ. Press, 1975). | | | | | | | | | 82. Derrida, Positions, p. 26. | | | | | | | | | 83. See Jean-Paul Sartre, Being and Nothingness: A Phenomenological Essay on Ontology, trans. Hazel E. Barnes (New York: Philosophy Library, 1956), p. 485. | | | | | | | | | 1. Amy Wallace, "How Much Bigger Can the Bang Get?," Los Angeles Times, Calendar Section, August 9, 1998, p. 8. | | | | | | | | | 2. Steven E. De Souza, quoted in Wallace, p. 10. | | | | | | | | | 3. De Souza, quoted in Wallace, p. 10. | | | | | | | | | 4. In Wallace, p. 10. | | | | | | | | | 5. Michael Bay, in Wallace, p. 27. | | | | | | | | | 6. Theodor W. Adorno, Aesthetic Theory, ed. Gretel Adorno and Rolf Tiedermann, trans. C. Lenhardt (London: Routledge, 1972), p. 344. | | | | | | | | | 7. Lars von Trier's and Thomas Vinterberg's "Dogma 95" proclamation. I want to thank my student Mikhael Forsberg for making it available to me. | | | | |
