Index[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z] camera rolls transfers Capture Scratch directory capturing/captured media 24p DV capture and pulldown film frame rates 24P DV render and pulldown errors audio capture Batch Capture window capture device selection, genlock capture mode Capture Now direct-to-disc camera files dropped frames consistently 2nd intermittently 2nd DV over FireWire file management FireWire capture problems 2nd HDV over FireWire medium selection deciding factors film negatives picture capture direct to-disk-camera files film negatives overview selection factors tapes process combining video and audio complete tape editing marked clips and subclips importing media logging and capturing media merged clips planning sync point marking sound capture DAT tapes 2nd files hard disk recorders 2nd overview picture tapes sync techniques stand-alone uncompressed systems device selection installing capture cards 2nd sync techniques, SMPTE video capture DV over FireWire FireWire DV converters FireWire uncompressed converters HDV over FireWire internal HD and SD cards PCI cards syncing audio and video CCIR-601specification [See ITU-R BT.601 specification] CDs (compact discs), archive medium change lists exporting integrity leaders pull lists 2nd chroma color chroma crawls CIFS (Common Internet File System) Cineform HD codec Cinema Tools appending filename extensions audio EDLs change lists 2nd change pull lists 2nd clip preparation capture mode commands, Batch Reverse Telecine commands, Conform feature 2nd commands, Reverse Telecine field patterns key number patterns cut lists 2nd 3rd comparing keycode numbers against edited sequences fixing missing elements locating/matching records, clip- and timecode-based reel adjustments and balances database accuracy Connect Clips command Detail View Find command importing telecine events log importing/exporting XML batch list List View manual input manually entering scene and shot information overview Reconnect Clips command Synchronize command discard lists 2nd dupe lists film clip naming conventions film lists comparing window burns of key numbers or ink numbers duplicate frames exporting film standards film supported Find command 2nd foreground layer lists information exchange missing elements lists motion effects lists comparing window burns to key code numbers optical lists overview pull lists Reverse Telecine feature scene lists warning lists Cinepak CIPs (Customer Installable Parts) clips clip-to-database links Creator property frame rates, changing merged clips mismatched attributes motion attributes naming conventions nesting with keyboard shortcuts preparation capture mode field patterns key number patterns long frames Reverse Telecine command recapturing reconnecting altered mismatched attributes missing Reconnect Clips Cinema Tools command sharing clusters codecs (COmpressor/DECompressors) Capture data reduction DCT intraframe lossless/lossy overview spatial temporal wavelet based color composite color Mac OS X system preferences Color Corrector (one-way)/Color Corrector (3-way) color space color difference components problems with differences clipping 2nd luma and chroma clamping 2nd RGB and YUV color television broadcasting color television recording color under component recording timing differences digital recording direct color playback timebase errors colorburst signals Comment A/B columns, exporting to EDL Comments (Spotlight) Common Internet File System (CIFS) compact cassette analog audio formats component analog video interfaces 2nd component recording gain imbalances ITU-R BT.601 specification timing differences composite analog video interfaces 2nd composite color composite recording Compressor 2nd converting frame rates COmpressor/DECompressors [See codecs] computer systems ADC AGPs CIPs desktops device drivers/interconnections DVI GPUs PowerPC G4 or G5 processors RAM VGA Conform feature, Cinema Tools 2nd conforming film negatives definition consumer TV, playback monitor contact printing standard-length durations and cut handles transitions Control-L control interface 2nd Control-M (Panasonic 5-pin) control interface 2nd Control-S control protocol 2nd Core Audio Drives cross-color and -luma artifacts CRT monitors Customer Installable Parts (CIPs) cut handles preferred allowances cut lists 2nd comparing keycode numbers against edited sequences fixing missing elements locating/matching records, clip- and timecode-based reel adjustments and balances cutback frames cylinders |