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Index[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Z] Read mode, Track Automation Record Enable button record path 2nd 3rd Record Toggle command 2nd 3rd recording audio tracks creating 2nd Input settings 2nd mono or stereo 2nd record-enabling 2nd 3rd clean up 2nd 3rd 4th first take 2nd deleting/redoing first take recording over existing audio 2nd merging recordings 2nd 3rd MIDI 2nd 3rd 4th Capture Last Take 2nd 3rd 4th cycle recording 2nd 3rd 4th Input filtering 2nd 3rd MIDI Thru filtering 2nd 3rd 4th punch recording 2nd 3rd autodrop zone 2nd on the fly 2nd 3rd settings Auto Input Monitoring bit resolution 2nd count-ins 2nd 3rd file types file-naming conventions 2nd 3rd I/O buffer size 2nd Maximum Recording Time metronome 2nd 3rd record path 2nd 3rd Replace mode sampling rates 2nd software monitoring Regions copying 2nd dividing with locators 2nd with Scissors tool 2nd 3rd 4th 5th 6th moving 2nd naming nondestructive editing playback parameters rubber-band selection technique 2nd 3rd 4th Regions Parameter box 2nd 3rd loops, creating 2nd 3rd 4th Repeat Regions/Events dialog 2nd 3rd 4th Replace mode 2nd resolution settings, bouncing songs right locators Roland's GM (General MIDI) standard 2nd round-trip production environment delivery 2nd 3rd 4th editing 2nd effects and graphics 2nd 3rd music and audio 2nd 3rd 4th 5th workplace collaboration 2nd RT Extreme architecture, Final Cut Pro rubber-band selection technique 2nd 3rd 4th |
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