[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Z]

     Bridge 2nd
     cache-building process
     caching multiple folders
     Camera Raw
     centralized 2nd
     distributed 2nd
     image cache preferences
     Photoshop 2nd 3rd
     purpose of
cache files
Cache Levels setting
caching multiple folders
Calculations command
Calibrate tab, Camera Raw dialog box 2nd
calibrating monitors 2nd
calibration bars
camera profiles 2nd
Camera Raw cache
Camera Raw database 2nd
Camera Raw dialog box
     Adjust tab
     alternate buttons
     automated conversions
     background processing 2nd
     Bridge/Camera Raw integration
     Brightness slider 2nd 3rd
     Calibrate tab 2nd
     Camera Raw menu
     Cancel button
     changes to
     Chromatic Aberration sliders
     Color Noise Reduction slider
     Contrast slider 2nd 3rd
     cropping images
     Curve tab
     Depth popup menu
     Detail tab
     Done button
     dynamic controls 2nd
     editing in 2nd
     Export Settings command
     Exposure slider 2nd 3rd
     filmstrip mode 2nd
     Highlights checkbox
     image controls
     integration with Bridge
     keyboard shortcuts
     Lens tab
     Luminance Smoothing slider
     main control buttons
     noise reduction
     Open a Copy button
     Open button
     opening files in 2nd
     output controls
     preferences 2nd
     Preview checkbox
     ProPhoto RGB
     Reset button
     RGB readout
     rotating images
     Saturation sliders 2nd
     Save button
     saving images in background 2nd
    settings [See Camera Raw settings]
     Shadows checkbox
     Shadows slider 2nd 3rd
     Sharpness slider 2nd
     Size popup menu
     Space popup menu
     static controls
     straightening images
     Synchronize feature
     Temperature control 2nd 3rd
     Tint control 2nd
     tone mapping controls
     Tool palette
     turning off auto-correction
     Use Auto Adjustments feature
     Vignetting sliders
     white balance controls 2nd 3rd
     workflow controls
     Zoom Level menu
     zoom tool
Camera Raw filmstrip
Camera Raw images
     Adjust tab controls 2nd
     bit depth options
     brightness adjustments 2nd 3rd
     camera profiles 2nd
     chromatic aberration, correcting
     color balance adjustments 2nd
     color management
     color noise reduction
     color space conversions
     color temperature adjustments 2nd 3rd
     combining multiple renderings of
     contrast adjustments 2nd 3rd
     curves, adjusting
     custom settings
     default camera settings 2nd
     exposure adjustments 2nd 3rd
     filmstrip mode 2nd
     highlights 2nd 3rd
     image settings
     lens issues, correcting
     luminance smoothing
     metadata 2nd
     naming/renaming 2nd 3rd
     opening 2nd 3rd
     previous conversion settings
     profiles 2nd
     resampling options
     resolution options
     saturation adjustments 2nd
     saving in background 2nd
     sharpening options and adjustments 2nd 3rd
     supported file formats
     tint adjustments 2nd
     vignetting, correcting
     white balance adjustments 2nd 3rd
Camera Raw menu
Camera Raw plug-in 2nd 3rd
Camera Raw settings
     applying 2nd
     for individual images
     pasting to multiple images
     rules for opening files
     rules for running batch operations
     rules for saving files
     saving 2nd
     strategies for
camera RGB
Cancel button, Camera Raw
canned curves
canned profiles 2nd
     aligning to
     selecting outside canvas
Caption setting, Print with Preview
captions 2nd
capture sharpening 2nd 3rd 4th 5th
capture spaces
card readers
cascading style sheets (CSSs) 2nd
cell phones, file formats for
Center Crop Marks
Channel Mixer 2nd 3rd
     adding to selections 2nd
     adjustment layers and
     as selection masks 2nd 3rd
     calculating file size
     CMYK mode
     color 2nd
     compatibility in other programs
     composite 2nd
     converting selections to
     converting to Grayscale
     converting to selections
     copying to layer masks
     described 2nd
     displaying histogram for
     edge masks
     extracting images
     file formats, saving options 2nd 3rd 4th
     in JPEG files
     intersecting selections 2nd
     Lab mode
     Levels sliders, effects on channels
     loading selections 2nd
     manipulating in actions
     Multichannel mode
     QuarkXPress and
     RGB mode
     saving in other documents 2nd
     saving selection channels 2nd
     subtracting from selections 2nd
     viewing in multitone images
     vs. masks/selections
     vs. paths
Channels palette
Character palette 2nd
characterizing monitors 2nd
     case of
Chavez, Conrad
Check Spelling
choking 2nd
chromatic aberration 2nd 3rd 4th
Chromatic Aberration sliders 2nd
     color models and soft-proofing
    Lab mode [See Lab mode]
Cineon file format
circle selections
Classic separation engine
clipboard 2nd
     black point clipping display 2nd
     color clipping 2nd 3rd
     gamut clipping
     highlight clipping 2nd 3rd
     highlight clipping display
     shadow clipping 2nd 3rd 4th
     shadow clipping display
     white point clipping display 2nd
clipping display 2nd
clipping groups
clipping images
clipping paths [See also paths]
     creating 2nd
     file formats for 2nd 3rd
     uses for
     vector graphics
     width and inset
clipping percentages
Clone Stamp tool 2nd
cloning 2nd
CMMs (color matching methods) 2nd 3rd
CMS. [See color management]
CMYK black channel setting
CMYK color model
     device-dependent color
     in color wheel
     relation to other color models 2nd
     subtractive primary colors 2nd
CMYK editing
CMYK histograms
CMYK images
     bit depth
     converting to Grayscale
     converting to RGB
     printing from page-layout programs
     TIFF files
CMYK mode
     Convert to Working Space (policy)
     high-resolution inkjet printing
     Magic Wand selection tool
     myths about
     Off (policy)
     output method considerations
     pixel values
     Preserve Embedded Profiles (policy)
     selections, from color channels
     simulating spot colors 2nd
     vs. Duotone and Multichannel
     vs. RGB mode 2nd 3rd
     when to use
CMYK multitone images
     converting from Duotone
     converting from grayscale
     curve adjustments 2nd
     custom profiles
     Duotone vs. CMYK and Multichannel
     file formats
     output considerations
     simulating spot colors 2nd
CMYK numbers 2nd
CMYK plates
CMYK Preview
CMYK profiles
     blends and
     file size
     selecting as working space
CMYK values
CMYK working spaces
     black generation settings
     black ink limit setting 2nd 3rd
     built-in press profiles 2nd 3rd
     dot gain
     for desktop printers
     for inkjet printer output
     for photographic printer output
     for Postscript RIP output
     ICC profiles 2nd 3rd
     ink sets
     selecting CMYK profiles
     separation options
     separation type settings
     total ink limit setting
     tuning CMYK Preview
     undercolor addition (UCA) setting
coated stock 2nd 3rd
CoCo plug-in
collections, saving as
     additive primary colors 2nd 3rd
     advanced controls
     clipping 2nd 3rd
     color editing issues
     complementary colors 2nd
     forcing transparency
     image modes
     indexed 2nd
     interleaved and non-interleaved data
     JPEG compression and
     Levels in
     locking in color tables
     modes, switching between
     options for saving files
     primary colors
     prioritizing in palettes 2nd
    saturation [See saturated colors]
     secondary colors
     selecting 2nd
    spot [See spot colors]
     subtractive primary colors 2nd
     swapping in color lookup tables
     switching between
     Web image issues
     working with Levels
color balance adjustments
     Camera Raw images 2nd
     eyedropper tools
     with Color
     with Color Fill
     with Color Range
     with Curves 2nd
Color Balance command
color bars 2nd
Color blending mode
Color Burn blending mode
color cast adjustments
     with Auto Color
     with Curves 2nd
     with eyedroppers
     with grayscale
     with layer blending
color channels
     as selection masks 2nd
     composite channel
     edge masks
     Levels in
     placing curve points in
     selecting channels
     selections using Grow
Color Checker SG
Color Correction Pro
Color Correction slider
color correction tools
     Auto Color 2nd 3rd 4th
     History and History palette
color corrections
     density, building
     f-stop-based corrections
     out-of-gamut colors
     output method considerations
    tools [See color correction tools]
Color Dodge blending mode
Color Fill layer 2nd
color fringing 2nd
color halftones
Color Handling popup menu
color inkjet output
color lookup tables 2nd
color management
     aim points
     Camera Raw
     color settings presets
     converting images between profiles 2nd
     disabling 2nd
     engines 2nd 3rd 4th
     environment and color
     EPS files 2nd
     image degradation
     importance of
     isolating variables
     overview 2nd
     Photoshop, prior versions
     PostScript Color Management 2nd
     Print with Preview
     printing from page-layout programs
     profiling tools
     proofing simulations
     purpose of
     reference color space
     soft-proofing controls
     tagged/untagged images
     TIFF vs. EPS images
     turning off 2nd
     Web image issues
    working spaces [See working spaces]
Color Management Off preset
Color Management options panel 2nd 3rd
Color Management Policies
     color management overview
     color setting presets
     Convert to Working Space 2nd
     embedded profiles
     Preserve Embedded Profiles 2nd
color matching methods (CMMs) 2nd 3rd
color models
    CMYK. [See CMYK color model]
     Lab 2nd
    RGB. [See RGB color model]
     switching between color modes
     tristimulus models
color modes
color noise 2nd
Color Noise Reduction slider
Color palette
color palettes
     color reduction and
     forcing colors into
     indexed color images
     prioritizing colors in 2nd
color panel controls
Color Picker 2nd 3rd 4th 5th
color profiles [See profiles]
Color Range
     fixing color balance with
     Fuzziness setting
     in Sample Merged mode
     inverting selections
     masking with
     previewing selections
     sample points
     selecting specified colors 2nd
color range controls
color reduction methods
Color Replacement tool
Color Sampler tool 2nd 3rd
color samplers
color schemes
color separations
     adding spot colors
     Custom CMYK options
     DCS files
     EPS files
     file formats and 2nd
     for color laser printers
     for contone devices
     for dye-sublimation printers
     GCR separations 2nd 3rd
     JPEG compression and
     labeling separations
     newsprint, suggested settings
     Photoshop Classic separation engine
     printing from page-layout programs
     printing separation plates
     registration marks
     screen previews and
     sheetfed presses, suggested settings
     single plates, printing
     testing separation options
     TIFF files
     typical separation settings
     UCR separations
     uncoated stock, suggested settings
     web presses, suggested settings
Color Settings
     Advanced Controls
     Advanced Mode 2nd
     Blend RGB Colors Using Gamma
     CMYK menu
     Conversion Options section
     Desaturate Monitor Colors By
     Engine menu
     Gray menu
     Intent menu
     RGB menu
     Settings menu
     Spot menu
     Use Black Point Compensation
     Use Dither
Color Settings dialog box
color space conversions
     applying or removing profiles
     black point compensation
     Camera Raw images 2nd
     CMM, specifying
     color management policies
     Color Settings dialog box
     Convert to Working Space
     converting images between profiles
     data loss and
     default rendering intent
     Missing Profile warning
     Off (policy)
     Preserve Embedded Profiles
     Print with Preview
     profile warnings
     source profiles
     target profiles
color spaces
     black point compensation
     converting to profiles
     profile connection space
     reference color space
     setting large spaces
     working spaces vs. device color spaces
color swatches
     Color palette
     test swatches 2nd 3rd
Color Table 2nd
color temperature [See also light temperature]
     Camera Raw adjustments 2nd 3rd
     lighting and 2nd
color-matching engines 2nd
Colorbrator script
colorimeters 2nd
colorimetric intents 2nd
colorimetric rendering
Colorize option
     black-and-white images
     EPS files
     grayscale images
ColorMatch RGB 2nd 3rd 4th
ColorSync CMYK option
ColorSync Workflow preset
comb-like histograms
Compact Flash cards
Compact mode
Comparative blending modes
compatibility 2nd 3rd
complementary colors 2nd
Composer, Adobe Every-line
composite channels 2nd 3rd 4th
composite histograms
composite images
     compression and
     DCS files
     saving in PSD format
compositing images
     blending transitions 2nd
     edge spill, correcting
     hard-edged borders
     layer blending
     positioning using opacity
     selecting edges
compressing tonal range 2nd
     archiving files
     EPS files
     GIF files 2nd 3rd
    JPEG files [See JPEG compression]
     PICT files
     saving channels
     smallest files possible
     TIFF files 2nd
consultants, scripting
Contact Sheet II
contact sheet packages
content display buttons
content filtering commands
context-sensitive menus
continuous-tone film recorders 2nd
contone images
     dye-sub printers
     film recorder output
     image mode considerations
     image resolution recommendations 2nd 3rd
     sharpening requirements
     stochastic screening
     vs. halftones
Contract 2nd
contracting selections
     Camera Raw adjustments 2nd 3rd
     Curves adjustments 2nd 3rd
     edge transitions
     for Web image colors
     increasing 2nd
     input level adjustments
     JPEG compression and
     Levels adjustments 2nd
     monitor calibration settings
     Soft Light layer adjustments
Contrast blending modes
Contrast control
contrast ratio
Conversion Options, Color Settings dialog box
Convert Point tool
Convert to Profile command 2nd 3rd 4th
Convert to Working Space policy 2nd
     alpha to spot color channels
     color spaces to profiles
     images to indexed color
     layers to spot color channels
     tagged to untagged images
     untagged to tagged images
converting to Grayscale
     Calculations dialog box
     Channel Mixer tool
     desaturating images
     Grayscale mode 2nd
     Lab mode
     luminance mask
     scanning in color
     selecting single channel
cooling filters
copies of files, saving
Copy command
Copy Merged command
     adjustment layers
     channels to layer masks
     layer masks 2nd
     Web-safe colors
copying and pasting pixels 2nd
copyright data 2nd
Corner Crop Marks
Create Plane tool
creative sharpening
Creative Suite Color Settings command
Creo Scitex systems
Creo Spectrum
crop marks, printing
Crop tool
     adjusting for keystone
     adjusting perspective
     Camera Raw images
     in page-layout programs
     multiple scanned prints
     resampling while
     resolution and
     rotating/moving while
     snapping to image edge
     TIFF images in layout programs
     tips for
     to aspect ratio
Cropping tool
crosshair cursor
CRT monitors
     brightness 2nd 3rd
     gamma settings
     overview 2nd
     sharpness of images
     white point settings 2nd 3rd
crunchies, avoiding 2nd 3rd
CT (continuous tone)
curve handles
curve points 2nd 3rd 4th 5th
Curve tab, Camera Raw
     adjusting contrast with 2nd
     adjustment layer edits 2nd
     examples of working with
     eyedropper tools
     vs. Levels
     curve types compared
     dot gain curves settings
     number fields in
     saving and loading 2nd
     tone 2nd
     transfer curves
     unthinkable curves
Curves adjustment layers
Curves command
Curves dialog box
     adjusting curves
     color corrections
     determining pixel levels
     display options
     eyedropper cursor
     general tips
     Input field 2nd
     loading saved settings 2nd
     Output field 2nd
     placing points from images
     readouts 2nd
     saving settings
     selection masks
     specifying points numerically
     tonal corrections 2nd
     vs. Levels
Curves layers
     applying blending modes with
     layer blending modes
cusp points
Custom CMYK [See also Ink Colors]
     Black Generation popup menu
     Black Ink Limit 2nd 3rd
     converting grayscale to CMYK
     creating ICC profiles
     Dot Gain Curves
     Dot Gain percentage
     ink options
     Separation Options section
     Separation Type
     simulating spot colors
     Total Ink Limit
     typical separation settings
     UCA Amount
Custom Dot Gain
Custom Gamma
Custom Proof Condition menu
custom working spaces

Real World Adobe Photoshop CS2(c) Industrial-Strength Production Techniques
Real World Adobe Photoshop CS2: Industrial-strength Production Techniques
ISBN: B000N7B9T6
Year: 2006
Pages: 220
Authors: Bruce Fraser

flylib.com © 2008-2017.
If you may any questions please contact us: flylib@qtcs.net