D

Index

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D50 vs. D65 calibration
Dark Matter
Darken blending modes 2nd 3rd 4th
data loss
     16-bit images
     8-bit images
     advantages of
    from tonal corrections [See tonal corrections]
     highlight detail
     image degradation 2nd 3rd
     image editing and 2nd
     minimizing
     noise
     posterization
data recovery
data sets
databases
     Camera Raw 2nd
    
DCS 2.0 Format dialog box
DCS files
     advantages and disadvantages
     composites
     converting images to Proof Setup space
     EPS color separations
     links in
     multiple or single files
     printing from page-layout programs
     spot color channels
DDC (Display Data Channel) connections
default working spaces
Delete button
densitometers 2nd
Depth popup menu, Camera Raw
Desaturate Monitor Colors By
desaturating colors 2nd 3rd 4th
Deselect All command
desktop printers
Despeckle filter 2nd 3rd
Destination settings
Details view
device color spaces
Device to Simulate menu
device-dependent colors 2nd
device-independent colors 2nd
device-independent RGB space
devices
     device color spaces
     device profiles 2nd 3rd
     rendering intents
dialog boxes
     displaying in actions
     navigating
     opening palettes
     opening with last-used settings
     proxies and previewing
     saving and loading settings
     tips for
diamond spot
dictionaries 2nd
Difference blending mode
diffusion dithering
     color laser printers
     compression and
     in GIF files
     stochastic screening techniques
digital cameras
     camera profiles 2nd
     Camera Raw supported file formats
     default settings 2nd
     metadata from
     storing history of images
     TIFF images and
     transferring images to
     Use Auto Adjustments feature
digital imaging
digital masking tape
Digital Raw 2nd [See also Camera Raw]
Digital Raw Workflow Quick Start
dimensions
     overview
     pixel
     relation to image resolution 2nd
     single-side
     slices
Direct Selection tool
Director, images for
disk space
     using adjustment layers 2nd
     virtual memory requirements
Display Calibrator
Display Data Channel (DDC) connections
Display Options settings
displays [See monitors]
Dissolve blending mode
distances, measuring
Distiller
distortion
     adjusting
     barrel 2nd
     corrections
     lens
     pincushion 2nd
Distribute Linked
distributing layers
distributing objects
dithering
     color laser printers
     in color space conversions 2nd
     in GIF files
     in JPEG files
     in WBMP files
     reducing
     stochastic screening techniques
     Web-safe colors and
DNG Converter
DNG files
     metadata and
     save options for
     settings
DNG format 2nd
Document option
Document Profile option
document profiles 2nd
document size presets

document space
Don't Color Manage This Document
Done button, Camera Raw
dot gain
     custom CMYK settings
     custom Grayscale settings
     custom Spot settings
     measuring
     Photoshop dot gain calculations
dot gain curves 2nd 3rd
dots
     halftone images
     highlight 2nd
     minimum/maximum
     retouching spots 2nd
     shadow
dots per inch (dpi) 2nd
download speed, Web images
downsampling
     high-bit files at print time
     rescreening halftones
     TIFF images
dpi (dots per inch) 2nd
Drag and Drop
dragging/dropping
     images 2nd
     images for slide show
     layers
     path segments
     pixels
     selections 2nd 3rd
     thumbnails
drop shadows 2nd
droplets
duotone curves
     adjustments
     canned curves
     curve adjustments 2nd
     curve types compared
     Duotone vs. CMYK and Multichannel
     focusing ink plates
     matching gray wedges
     saving and loading
     Stephen Johnson's curve sets
     unthinkable curves
duotone images 2nd
     colorizing images
     compressing tonal range
     converting Multichannel to CMYK
     converting to CMYK
     Duotone vs. CMYK and Multichannel
     EPS files
     expanding tonal range
     file formats
     flat-tint duotones
     focusing ink plates
     InDesign handling
     Info palette setup
     ink printing order
     output issues 2nd
     overprint colors
     proofing
     PSD files
     screen angles
     screen colors, adjusting
     selecting ink tones
     TIFF files
     viewing channels
Duotone mode 2nd 3rd
Duplicates Selected Frames button
duplicating images
duplicating layers
Dust and Scratches filter 2nd
dust, retouching spots 2nd
dye-sublimation printers
     contone output
     image mode considerations
     image resolution 2nd
dynamic range 2nd 3rd 4th 5th