The Camera Raw Menu

Cleverly hidden under the small unlabeled right-facing triangle is the Camera Raw menu, which allows you to load, save, and delete settings or subsets of settings, turn Camera Raw's Auto corrections on or off, set default settings for an individual camera model, restore Camera Raw's default settings for a camera model, and set Preferences (see Figure 11-13).

Figure 11-13. The Camera Raw menu

We'll start with Preferences, because until you understand the various behaviors controlled by Preferences, the other commands may not make a whole lot of sense. Camera Raw's Preferences are fairly simple, but they have far-reaching implications for your workflow.


Camera Raw's Preferences (see Figure 11-14) let you decide whether your raw edits are saved in the Camera Raw database or in "sidecar" .xmp files, and whether to apply sharpening to the converted image or to the preview only. It also allows you to choose the location and size of the Camera Raw cache, and lets you purge the Camera Raw cache. Camera Raw 3.1 and later adds settings that control the behavior of DNG filesthey have no effect on other raw formats.

Figure 11-14. Camera Raw Preferences

Save image settings in

Camera Raw treats the raw images as read-only, so your Camera Raw edits for the image get saved either in a sidecar .xmp filea small file designed to travel with the imageor in the Camera Raw database. Each approach has strengths and weaknesses, and you can choose with the "Save image settings in" option in this dialog box.

Saving your edits in the Camera Raw database means that you don't have to keep track of sidecar files or worry about making sure that they get renamed along with the imagethe Camera Raw database indexes the images by file content rather than name, so if you rename the raw file, the Camera Raw database will still find the correct settings. The major disadvantage is that when you move the images onto a different computer, or burn them to a CD or DVD, the edits won't travel with the images.

Saving your edits in sidecar files allows the edits to travel with the images. Adobe gives you a lot of help in handling the .xmp sidecar files. By default, Bridge hides them, and automatically keeps them with their respective images when you use Bridge to move or rename them. The only danger is that if you move or rename the images outside Bridge, you need to keep track of the sidecars yourself.

A solution to this potentially confusing issue is to convert your raw images to DNG format (see "The Main Control Buttons," later in this chapter for more on this). Camera Raw treats raw files as read-only because all the vendors' proprietary formatsCanon's .CRW and .CR2, Nikon's .NEF, Olympus' .ORF, and so onare undocumented. Rather than taking the risk of messing up the file by writing metadata such as Camera Raw settings into it, Camera Raw uses sidecar files or its own database. But DNG is a completely documented, open format, so when you use DNG, Camera Raw settings and other metadata get written directly into the DNG file itself.

Apply sharpening to

The "Apply sharpening to" option lets you choose whether to apply sharpening to the previews and to the converted image, or to the previews only. Setting this option to "Preview images only" lets you enjoy reasonably sharp previews, but apply more nuanced sharpening to the converted images. Note that this preference only affects the Sharpness setting, not either of the noise reduction settings, which are found on the same Detail tab as the Sharpness control (see "The Detail Tab," later in this chapter).

Camera Raw cache

The Camera Raw cache holds pre-parsed raw data for the most recently used raw files, which is used to speed up the following operations:

  • Opening the Camera Raw dialog box

  • Switching between images in the Camera Raw filmstrip

  • Updating the thumbnails in the Camera Raw filmstrip in response to settings changes

  • Rebuilding the thumbnails/previews in Bridge in response to settings changes

The cache file sizes average about 5 MB, so at the default size limit of 1 GB, the Camera Raw cache will hold the pre-parsed data for about the 200 most recently accessed images. If you commonly edit folders with more than 200 raw files, you probably want to increase the Camera Raw cache's size limit. Nothing is stored exclusively in the Camera Raw cache, so purging it never loses data.

DNG File Handling

The two checkboxes under DNG File Handling control the behavior of DNG files. They have no effect on other raw formats.

  • Ignore sidecar ".xmp" files. This preference addresses a relatively obscure situation that arises only when you have a DNG and a proprietary raw version of the same image in the same folder, and they're identically named except for the extension. If you edit the proprietary raw file, Camera Raw 3 also applies the edits to the DNG, to maintain compatibility with Photoshop CS and Photoshop Elements 3, both of which write sidecar files for DNG. The preference setting lets you tell Camera Raw 3.1 to ignore sidecar files and leave the DNG alone in this situation.

  • Update JPEG Previews. This setting controls when the embedded JPEG previews in DNG files get updated. When it's turned on, Camera Raw updates the embedded preview as soon as you dismiss Camera Raw after editing a DNG file, thereby incurring a speed penalty since the previews take time to write and save.

    You can defer the speed hit by turning this item off. Then, when you want to update the previews, choose Export Settings from the Camera Raw menu. You'll see the dialog box shown in Figure 11-15, which lets you choose the preview size. Or, to skip the dialog box, press Option while choosing Export Settings. Camera Raw will update the preview size you selected last time you opened the dialog box.

    Figure 11-15. Export Settings for DNG

    When you choose Full Size, Camera Raw embeds both Full Size and Medium Size previews. The downside is that Full Size previews take longer to build, and make a slightly larger file. Bear in mind, though, that you can choose which application, Photoshop or Bridge, gets tied up generating the previews so you can continue working in the other application while the one hosting Camera Raw builds the previews.

Loading and Saving Settings

The Load Settings, Save Settings, and Save Settings Subset commands let you load and save settings or settings subsets you make with any of the image-specific (Adjust, Detail, Lens, Curve, and Calibrate) controls. We find the Save Settings Subset command especially helpful. For example, you could create settings that adjust only the exposure value up or down in increments such as +0.25, +0.50, -0.25, -0.5, and so on (see Figure 11-16).

Figure 11-16. Loading and saving settings subsets

To make saved settings or subsets appear on the Settings menu automatically, save them in User/Library/Application Support/Adobe/Camera Raw/Settings (Mac), or Documents and Settings\User\Application Data\Adobe\Camera Raw\Settings (Windows). These saved settings also appear in the Apply Camera Raw Settings submenu on Bridge's Edit menu. If you save settings anywhere else, you can load them using Camera Raw's Load Settings command.

Export Settings

The Export Settings command offers a way to write a sidecar .xmp file when you have the Camera Raw Preferences set to save edits in the Camera Raw cacheit offers a way to produce sidecar files when you want to copy the images to removable media for use on another computer while preserving the edits. If the preference is set to use sidecar files, Export Settings will export a sidecar file only if no sidecar file already exists. If there's an existing sidecar file, Export Settings does nothing.

Use Auto Adjustments

When the Use Auto Adjustments feature is turned on, which it is by default, Camera Raw tries to come up with optimum settings for each image, essentially auto-correcting tone and exposure. While the word "auto" usually makes us squirm, this feature isn't as simple as it might seem at first glance.

However, keeping Use Auto Adjustments as part of the default setting makes it difficult to learn the behavior of a camera, because each image has been adjusted individually, so you don't get to see a consistent baseline interpretation. That's not a problem for everyone, and if it isn't a problem for you, then by all means leave the default settings alone. Beginners will likely find that Use Auto Adjustments provides a quick way to get decent results, but it also makes it much more difficult for them to learn the relationship between shutter speed, aperture setting, and the result.

Use Auto Adjustments isn't an all-or-nothing proposition, but the alternate methods of using it aren't terribly obvious. First, you can toggle Use Auto Adjustments on and off by pressing Command/Ctrl-U, but if you do so on an already-edited image, you may get some surprises. This feature is really designed to work on top of the default settings, so its algorithms ignore any adjustments you have made in the Curve tab, and also ignore any Vignetting adjustments you've made in the Lens tab. If you turn on Use Auto Adjustments when the values for Curve or Vignetting are significantly different from the default values, you won't get good results!

Auto adjustments for initial previews

The Command/Ctrl-U toggle is useful for comparing auto adjustments with a static baseline interpretation, either the old Camera Raw 2.4 defaults (which are what you get if you just turn Use Auto Adjustments off without doing anything else), or with your own customized camera defaults that don't use auto adjustments (see the next section, "Setting Camera Defaults"). If you want to take advantage of the auto adjustments to generate the initial previews and thumbnails in Bridge, just keep the Camera Raw defaults at their factory settings. Then you can either use the auto adjustments as a starting point for edits, or press Command/Ctrl-U to turn them off before you start editing.

Applying auto adjustments over baseline defaults

If you need to see a baseline interpretation of your images, but want to apply auto-corrections quickly as a reality check or starting point, you'll need to create a new camera default setting without auto adjustments (see the next section). Then you can simply use the Command/Ctrl-U toggle to switch the auto-corrections on after opening the dialog box.

Comparing auto adjustments with your own edits

This is a little trickier, because, as previously noted, if you simply toggle Use Auto Adjustments on top of edits that include Curve or Vignetting adjustments, you may get very nasty results.

If you've kept Use Auto Adjustments as part of your camera default settings, you can simply toggle between Camera Default and Image Settings (for a newly opened but already-edited image) or Custom (for edits in progress) by choosing them from the Settings menu.

If you prefer a baseline default that treats all images identically, create that default setting (see the next section), then open an unedited image and press Command/Ctrl-U to turn on the auto adjustments. Once you've done so, choose Save Settings from the Camera Raw menu, make sure that you're saving them in the appropriate folder for your platform, and name the setting Auto. It will then appear on the Settings menu, so you can toggle between Auto and Image Settings or Auto and Custom to compare the auto adjustments with your own edits.

Setting Camera Defaults

Camera Raw contains the factory settings for each supported camera model, and these are used as the default settings for images originated by that model of camera. But you can create your own defaultsthe image metadata tells Camera Raw which default to use for each camera model.

To save a Camera Raw setup, choose Save New Camera Raw Defaults from the Camera Raw menu. For example, you may find the default Shadows setting of 5 a little too high or you notice that you consistently find yourself lowering the Color Noise Reduction slider. So set the controls the way you want them, then choose Save New Camera Raw Defaults from the Camera Raw menu.

Getting good default settings ("good default settings" means different things to different people) is generally an iterative process. Don't be afraid to experiment. It won't harm your raw files in any way, and if you get hopelessly messed up, you can easily set everything back to the shipping defaults and start over by choosing Reset Camera Raw Defaults from the Camera Raw menu.

No set of defaults will do equal justice to every image, so just try to find default settings that provide a good starting point for your images, and hence save you time.

Real World Adobe Photoshop CS2(c) Industrial-Strength Production Techniques
Real World Adobe Photoshop CS2: Industrial-strength Production Techniques
ISBN: B000N7B9T6
Year: 2006
Pages: 220
Authors: Bruce Fraser © 2008-2017.
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