If you're reading this book because you want to be told that digital really is better than film, look elsewhere. The term "digital photography" may still be in current use, but sooner rather than later, it will be replaced by the simple term "photography." If you want to be told that shooting digital raw is better than shooting JPEG, you'll have to read between the lineswhat this book does is to explain how raw differs from JPEG, and how you can exploit those differences.
But if you're looking for solid, tested, proven techniques for dealing with hundreds or thousands of raw images a daymoving them from the camera to the computer, making initial selects and sorts, optimizing the raw captures, enriching them with metadata, and processing them into deliverable formthis is the book for you. My entire reason for writing this book was to throw a lifebelt to all those photographers who find themselves drowning in gigabytes of data.
The combination of Photoshop CS2, Bridge, and the Camera Raw plug-in offers a fast, efficient, and extremely powerful workflow for dealing with raw digital captures, but the available information tends to be short on answers to questions such as the following.
Raw shooters face these questions, and many others, every day. Unfortunately, the answers are hard to find in the gazillion Photoshop books out theremuch less Photoshop's own manualsand when they're addressed at all they tend to be downplayed in favor of whizzy filter effects. This book answers these questions, and the other daily workflow issues that arise, head-on, and focuses on everything you need to do before you get your images open in Photoshop.