Editing Images with The GIMP

After you've started The GIMP (and assigned it a virtual desktop), you can load an image by selecting File ® Open. The browser dialog box offers a preview facility, but this works only with images you've previously opened in The GIMP.

Once an image is opened, it's a good idea to alter the main program window's properties so it constantly stays on top of the desktop and doesn't disappear behind other windows. To do this, right-click its title bar, select Advanced, and then click Keep Above Others. After this, you will probably need to resize the image window so that it fits within the remainder of the screen. You can then use the Zoom tool (see Table 21-1) to ensure that the image fills the editing window, which will make working with it much easier.

You can save any changes you make to an image by right-clicking it and selecting File ® Save As. You can also print the image from the same menu.

Before you begin editing with The GIMP, you need to be aware of some essential concepts that are vital to understand in order to get the most from the program:

Copy, cut, and paste buffers: Unlike Windows programs, The GIMP lets you cut or copy many selections from the image and store them for use later. It refers to these saved selections as buffers, and each must be given a name for future reference. A new buffer is created by selecting an area using any of the selection tools, then right-clicking within the selection area and selecting Edit ® Buffer ® Copy Named (or Cut Named). Pasting a buffer back is a matter of right-clicking the image and selecting Edit ® Buffer ® Paste Named.

Paths: The GIMP paths are not necessarily the same as selection areas, although it's nearly always possible to convert a selection into a path and vice versa (right-click within the selection or path and look for the relevant option on the Edit menu). In general, the tools used to create a path allow the creation of complex shapes rather than simple geometric shapes, as with the selection tools. You can also be more intricate in your selections, as shown in the example in Figure 21-2. You can save paths for later use. To view the Paths dialog box, right-click the image and select Dialogs ® Paths.

image from book
Figure 21-2. Paths allow for more elaborate and intricate selections, such as those that involve curves.


Getting rid of a selection or path you've drawn is easy. In the case of a path, simply click on any other tool. This will cause the path to disappear. To get rid of a selection, simply select any selection tool and quickly click once on the image, being careful not to drag the mouse while doing so.

Layers: In The GIMP (along with most other image-editing programs), layers are like transparent sheets of plastic that are placed on top of the image. Anything can be drawn on each individual transparent sheet, and many layers can be overlaid in order to create a complicated image. Layers also let you cut and paste parts of the image between them. It's also possible to apply effects and transformations to a single layer, rather than to the entire image. The Layers dialog box, shown in Figure 21-3, appears by default, but if you closed it earlier, you can open it again by right-clicking the image and select Dialogs ® Layers. The layers can be reordered by clicking and dragging them in the dialog box. In addition, the blending mode of each layer can be altered. This refers to how it interacts with the layer below it. For example, its opacity can be changed so that it appears semitransparent, thereby showing the contents of the layer beneath.

image from book
Figure 21-3. The opacity of various layers can be set by clicking and dragging the relevant slider in the Layers dialog box.


To make sure the Layers dialog box is always visible, right-click the top of the Layers dialog box, click Advanced in the menu that appears, and then click Keep Above Others.

Making Color Corrections

The first step when editing most images is to correct the brightness, contrast, and color saturation. This helps overcome some of the deficiencies that are inherent in digital photographs or scanned-in images. To do this, right-click the image and select Layers ® Colors. You'll find a variety of options to let you tweak the image, allowing you a lot of control over the process.

For trivial brightness and contrast changes, selecting the Brightness/Contrast menu option will open a dialog box where clicking and dragging the sliders will alter the image. The changes you make will be previewed on the image itself, so you should be able to get things just right.

Similarly, the Hue/Saturation option will let you alter the color balance and also the strength of the colors (the saturation) by clicking and dragging sliders. By selecting the color bar options at the top of the window, you can choose individual colors to boost. Clicking the Master button will let you once again alter all colors at the same time.

The trouble with clicking and dragging sliders is that it relies on human intuition. This can easily be clouded by a badly calibrated monitor, which might be set too dark or too light. Because of this, The GIMP offers another handy option: Levels.

To access the Levels feature, right-click the image and select Layer ® Colors ® Levels. This presents a chart of the brightness levels in the photo and lets you set the dark, shadows, and highlight points, as shown in Figure 21-4. Three sliders beneath the chart represent, from left to right, the darkest point, the midtones (shadows), and the highlights within the picture. The first step is to set the dark and light sliders at the left and right of the edges of the chart. This will make sure that the range of brightness from the lightest point to the darkest point is set correctly. The next step is to adjust the middle slider so that it's roughly in the middle of the highest peak within the chart. This will accurately set the midtone point, ensuring an even spread of brightness across the image.

image from book
Figure 21-4. The Levels function can be used to accurately set the brightness levels across an image.

A little artistic license is usually allowed at this stage and, depending on the effect on the photo, moving the midtone slider a little to the left and/or right of the highest peak might produce more acceptable results. However, be aware that the monitor might be showing incorrect brightness/color values.

Cropping and Cloning

After you've adjusted the colors, you might want to use the Crop tool (see Table 21-1) to remove any extraneous details outside the focus of the image. For example, in a portrait of someone taken from a distance away, you might choose to crop the photo to show only the person's head and shoulders, as shown in Figure 21-5.

image from book
Figure 21-5. You can use the Crop tool to remove any irrelevant details surrounding the subject of your photo.

You might also want to use the Clone tool to remove facial blemishes. Start by using the Zoom tool to close in on the area. If the blemish is small, you might need to zoom in quite substantially. Then try to find an area of skin that is clear and that you can copy from. Hold down Ctrl and click in that area. Then click and draw over the blemish. The crosshair indicates the area you're copying from.


One final handy trick employed by professional image editors to give their photos a shot in the arm is to use the Sharpen filter. This has the effect of adding definition to the image and negating any slight blur caused by things such as camera shake or poor focusing. To apply the Sharpen filter, right-click the image and select Filters ® Enhance ® Sharpen.

As shown in Figure 21-6, a small preview window will show the effect of the sharpening on the image (you might need to use the scroll bars to move to an appropriate part of the image). Clicking and dragging the slider at the bottom of the dialog box will alter the severity of the sharpening effect. Too much sharpening can ruin a picture, so be careful. Try to use the effect subtly.

image from book
Figure 21-6. Sharpening an image can give it a professional finish by adding definition.

The Sharpen filter is just one of many filters you can apply in The GIMP, as explained in the next section.

Applying Filters

Like other image-editing programs, The GIMP includes many filters to add dramatic effects to your images with little, if any, user input. Filters are applied either to the currently selected layer or to a selection within the layer. To apply a filter, right-click the image and choose the relevant menu option. If you don't like an effect you've applied, you can reverse it by selecting Edit ® Undo, or by pressing Ctrl+Z.

The submenus offer filters grouped by categories, as follows:

Blur: These filters add various kinds of blur to the image or selection. For example, Motion Blur can imitate the effect of photographing an object moving at speed with a slow shutter. Perhaps the most popular blur option is Gaussian Blur, which has the effect of applying a soft and subtle blur.

Color: This option includes many technical filters, mostly of interest to image technicians or those who want to uncover and otherwise manipulate the color breakdown within an image. However, Filter Pack might appeal to the general user. This filter can quickly adjust the hue, saturation, and other values within the image. Also of interest is Colorify, which can tint the image to any user-defined color. Figure 21-7 shows an example of using the Colorify filter.

image from book
Figure 21-7. The Colorify filter can be used to add a sepia-like effect to a picture.

Noise: This collection of filters is designed to add speckles or other types of usually unwanted artifacts to an image. These filters are offered within The GIMP for their potential artistic effects, but they can also be used to create a grainy film effect—simply click Noisify.

Edge Detect: This set of filters can be used to automatically detect and delineate the edges of objects within an image. Although this type of filter can result in some interesting results that might fall into the category of "special effects," it's primarily used in conjunction with other tools and effects.

Enhance: The Enhance effects are designed to remove various artifacts from an image or otherwise improve it. For example, the Despeckle effect will attempt to remove unwanted noise within an image (such as flecks of dust in a scanned image). The Sharpen filter discussed in the previous section is located here, as is the Unsharp Mask, which offers a high degree of control over the image-sharpening process.

Generic: In this category, you can find a handful of filters that don't seem to fall into any other category. Of particular interest is the Convolution Matrix option, which lets you create your own filters by inputting numeric values. According to The GIMP's programmers, this is designed primarily for mathematicians, but it can also be used by others to create random special effects. Simply input values and then preview the effect.

Glass Effects: As the name suggests, these filters can apply effects to the image to imitate the effects that come about when glass is used to produce an image. For example, the Lens Effect filter will apply the same kind of distortion caused by various wide-angle lenses used on cameras, as shown in Figure 21-8.

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Figure 21-8. The Glass Effects ® Lens Effect filter can be used to imitate a fish-eye lens.

Light Effects: Here, you will find filters that imitate the effects that light can have on a picture, such as adding sparkle effects to highlights or imitating lens flare caused by a camera's lens.

Distorts: As the name of this category of filters suggests, the effects here distort the image in various ways. For example, Whirl and Pinch allow you to tug and push the image to distort it (to understand what is meant here, imagine the image is printed on rubber and then pinching or pushing the surface). This category also contains other special effects, such as Page Curl, which imitates the curl of a page at the bottom of the picture.

Artistic: These filters allow you to add painterly effects to the image, such as making it appear as if the photo has been painted in impressionistic brushstrokes, or simply making it appear as if the photo is painted on canvas by overlaying the texture of canvas onto the picture. Figure 21-9 shows an example of applying a filter for an oil painting effect.

image from book
Figure 21-9. The Artistic effects can be used to give images an oil painting effect.

Map: These filters aim to manipulate the image by treating it like a piece of paper that can be folded in various ways and also stuck onto 3D shapes (a process referred to as mapping). Because the image is treated like it's a piece of paper, it can also be copied, and the copies placed on top of each other to create various effects.

Render: Here, you'll find filters designed to create new images from scratch, such as clouds or flame effects. They obliterate anything that was previously underneath on that particular layer or within that selection, and the original image has no bearing on what is generated by the filter.

Web: Here, you can create an image map for use in a web page. An image map is a single image broken up into separate hyperlinked areas, typically used on a web page as a sophisticated menu. For example, an image map is frequently used for a map where you can click to get more information about different regions.

Animation: These filters aim to manipulate and optimize GIF images, which are commonly used to create simple animated images for use on web sites.

Combine: Here, you'll find filters that combine two or more images into one.

Toys: These are so-called "Easter Eggs," which aren't designed to manipulate the image, but are present in the program as harmless animations for the user to enjoy. They're created by the programmers of The GIMP as a way of thanking you for using their program.


The GIMP also includes Script-Fu, a scripting language akin to OpenOffice.org BASIC. Using Script-Fu, you can daisy-chain several commands together to produce a particular effect or to automate a particular image-editing process. There is little documentation available for Script-Fu. Try searching for "script-fu" using your favorite search engine for more information.

Beginning SUSE Linux from Novice to Professional
Beginning SUSE Linux: From Novice to Professional
ISBN: 1590594584
EAN: 2147483647
Year: 2005
Pages: 293
Authors: Keir Thomas

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