Why are we talking about the Color Picker in this chapter? Simply, a great many people overlook the fact that the Color Picker is subject to the choices you make in Color Settings, because the numbers that appear in the Color Picker for all the color modes other than the current documentsmode are the product of color space conversions made using the default profiles, engine, and rendering intent. We've lost count of the number of emails we've received from confused puppies who tried to specify black as 0C 0M 0Y 100K in an RGB document and then got bent out of shape because:
Well, 100K isn't black because black ink isn't perfectly black or perfectly opaqueif it were, we'd never need to lay down more than 100% total ink. If you specify 0C 0M 0Y 100K in the Color Picker, then look at the RGB values, or the Lightness value in Lab, you'll find that they aren't zero. And unless your CMYK working space uses Maximum GCR, 0C 0M 0Y 100K isn't a "legal" value for a converted RGB 000 blackwe almost always want to add some amount of CMY to increase the density. The Color Picker is governed by two simple rules.
When you think about it, it's hard to envisage how this could work any other way, but how may of us think about what we're doing when we work in the Color Picker? |