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Sams Teach Yourself Mac OS X Digital Media. All In One Authors: Ness R., Ray J., Sengstack J. Published year: 2003 Pages: 227-228/349 |
Using the Paint Bucket Tool to Fill a SelectionEarlier, I mentioned that you could fill a selection with the Paint Bucket tool. Using the tool is fairly simple: First select the tool; then from the Fill list on the Options bar, choose either Foreground or Pattern. If you select Foreground, the current foreground color will be used. If you don't like the current foreground color , you can change it. If you choose Pattern, you can select the pattern you want from the pattern list. As before, you can display additional patterns by clicking the right arrow and selecting the set of patterns you want to view. Select the blending option from the Mode menu (to learn about blending, see Chapter 26), and set the opacity level you want. The rest of the options are the same as those described earlier for the Magic Wand tool. The Tolerance option defines the type of pixel to be filled ”a low tolerance tells Elements to fill only pixels within the selection that are very close in color to the one you click with the tool. A high tolerance is not as picky. The Antialiased option softens the edge between the filled selection and its background. The Contiguous option has no effect unless you have made at least two non-contiguous selections. Then, if you choose Contiguous, only the applicable pixels within the selection you click will be changed. Turn this option off to fill pixels in all selections. The All Layers option allows you to fill the selection within all layers ; we'll get to layering in the next section. After setting options for the Paint Bucket tool, click on a pixel within the selection. The pixel you click may or may not affect the outcome, depending on the selections you've made. |
Working with LayersLayers sound complicated, but they're not. They're really quite simple, if you've ever seen an animated cartoon. Animators work with two kinds of materials, sheets of white Bristol board, or something similar as backgrounds, and sheets of heavy transparent cellophane, called cells . The background holds the things that don't change: trees, grass, Marge's kitchen walls, Homer's couch . There are up to four or five cell layers for each character. Hands and feet move more than heads and trunks, so that the bodies are dismembered and placed on different layers. If Homer is to wave, for example, three or four drawings will be done of just his arm in different positions , from down to up. Then the sequence will be photographed with a different arm in each frame of film. It's layers that make it possible to see this movement. Working with layers enables you to build up multipart collages of many images, paint over an original photo without destroying it, make color corrections that you can apply selectively to parts of the picture, stack picture elements behind others, andI can go on and on. When you open a new image in Elements, it has a background layer. No others. If you then paste something in what you've copied to the Clipboard, you'll automatically make a new layer. You can use the Layers palette to keep track of your layers. Think of it as a sort of command center for layer management. You can add and remove layers from the palette itself and manage them with its menu. In Figure 23.16, I've assembled a page with a bunch of different layers. Type goes on a separate layer. Adjustment layers enable you to correct color and exposure, with the advantage of letting you also control how much of the correction you want to apply. A layer can change both opacity and blending mode as needed. Figure 23.16. A variety of layers.
You can start a new layer in any of several ways. Whether you're pasting something in, or dragging it from another open file, the new part of the image will automatically be placed on a new layer. As soon as you position the Type tool on the picture and start entering letters , you've created a type layer to set them on. Because they are on their own layer, you can move the words around, correct spelling, even erase them and try different words or a different font, without risking the rest of the image. However, if you want to paint on a new layer over your image, create a new layer manually by selecting New from the Layer menu, or by clicking on the small New Layer icon at the bottom of the Layers palette. As you add more and more layers to your document, you'll probably need to give them more descriptive names , so that you can easily identify their content. To change the name of a layer, double-click the layer to open the Layer Properties dialog box. Type the name of the layer in the text box, and click OK. You can also simply double-click the name in the Layers palette, and type the new name right there. Press Enter when you're done. Task: Experimenting with Layers
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Sams Teach Yourself Mac OS X Digital Media. All In One Authors: Ness R., Ray J., Sengstack J. Published year: 2003 Pages: 227-228/349 |