Use Blending Modes


In addition to plain, plastic-wrap transparency, Illustrator s Transparency palette provides blending modes that transform colors in the underlying layer. These blending modes work something like sunglasses or a colored piece of glass ”tinting, distorting, or enhancing the effect of a transparent overlay.

Just to make the concept of transparency a bit more confusing, you may apply an opacity setting of 100 percent when you use a transparency filter without completely obscuring the underlying object. You ll do this when you work with blending modes, which create a variety of color changes to objects by combining the transparency filter color with the color of the underlying object.

Blending modes were briefly touched on in Chapter 14, as part of an overview of all of Illustrator s effects and filters. Here you ll explore their role in generating transparency.

The following blending effects are available from the blending mode drop-down list in the Transparency palette.

  • Normal    This selection provides just transparency, no distortion of color.

  • Darken    Darken changes any underlying colors that are lighter than the overlay color to the overlay color.

  • Multiply     This darkens the resulting color.

  • Color Burn    This option darkens the underlying object.

  • Lighten    This selection lightens underlying colors that are darker than the overlay.

  • Screen    This selection lightens the resulting color.

  • Color Dodge     Color Dodge brightens the underlying object.

  • Overlay    Overlay sharpens the contrast of a color (or pattern) filter by intensifying contrast.

  • Soft Light     This option lightens the underlying object if the filtering object color is lighter than 50-percent gray. Otherwise, the underlying object is made darker.

  • Hard Light     The Hard Light selection simulates shining a bright light on the underlying object.

    Note  

    For the Darken and Lighten blending modes, Illustrator first determines whether the overlay color or the base color is darker (in the case of Darken) or lighter (Lighten). It is this color that is applied in the blend.

  • Difference     Difference calculates a new color based on the difference between the brightness values of the overlapping colors.

  • Exclusion     This option changes color using the same kind of calculation as the Difference effect, but the contrast between the original color and the changed color is muted and less dramatic than the Difference effect.

  • Hue    The Hue option retains the color of the top filtering object(s) while assuming the saturation (intensity) and brightness of the bottom object(s).

  • Saturation     This selection retains the saturation (intensity) of the top filtering object(s) while assuming the brightness and color of the bottom object(s).

  • Color    The Color selection retains the hue and saturation of the top filtering object(s) while assuming the brightness of the bottom object(s).

  • Luminosity     The Luminosity option retains the brightness quantity (intensity) of the top filtering object(s) while assuming the saturation (intensity) of the bottom object(s).

All 16 blending modes are on display in Figure 17-5.

click to expand
Figure 17-5: Transparency blends work like color lenses, tinting affected objects.

Many of the blending modes are determined by calculations based on hue, saturation, or brightness values. This tends to produce somewhat unintuitive results. You can look up color hue, saturation, or brightness values by choosing the HSB palette from the Color palette menu. As you experiment with different blending modes, you ll develop your ability to anticipate the effect they will have when used as filters.

Caution  

If your output is destined for hardcopy that will use spot color printing, avoid the Difference, Exclusion, Hue, Saturation, Color, and Luminosity blending modes. They're not supported by spot colors. For more on spot color printing, see Chapter 22.




How to Do Everything with Illustrator CS
How to Do Everything with Adobe Illustrator CS
ISBN: 0072230924
EAN: 2147483647
Year: 2002
Pages: 175
Authors: David Karlins

flylib.com © 2008-2017.
If you may any questions please contact us: flylib@qtcs.net