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What s New?

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What's New?

Not much; how 'bout with you?

Sorry, couldn't resist. Actually there's lots new with Studio 10. Here are some highlights.

Most significantly, Pinnacle merged Studio's polished interface with the editing and rendering engine from big sister product Pinnacle Liquid Edition. In addition to providing support for new formats like Microsoft Windows Media video and high definition video (HDV), this professional strength technology delivers additional speed and robustness to the Studio product line.

If you shoot with a DVD camcorder, you'll be happy to hear that Studio can now capture your video, while all producers will appreciate the ability to capture video from non-copy protected DVDs (see Chapter 6 for this last item). Pinnacle also threw in Pinnacle Instant DVD Recorder to help you quickly convert analog and digital tapes to DVD (See Chapter 16). Also new is the ability to preview video output on a second monitor or television set, as detailed in Chapter 2, which provides a more accurate preview and more efficient editing workspace.

On the editing front, Pinnacle added the ability to control audio and video effects with keyframes, providing near infinite customizability (Chapter 9). Pinnacle also added several new cleaning effects to improve video quality, and many other audio and video effects.

Other noteworthy features include the ability to "scrub" audio on the Timeline, the ability to output progressive scan DVDs for your new DVD Player, additional SmartMovie styles, and more choices for producing high quality, slow motion effects. If you're producing longer movies, you'll adore the new ability to record to Dual Layer (DL) DVDs.

Overall, when you throw in the additional Overlay track and pan and zoom capabilities introduced in Studio 9 Plus, the jump from Version 9 to Version 10 is both significant and impressive. Most importantly, Pinnacle retained Studio's straightforward, easy to use interface. Much more powerful, but with the same basic interface we've all come to know and love.

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Using This Book

If you bought Studio 10 through a retail channel, you already have a manual that explains how to use the various components of the Studio interface. This book complements the manual in two ways.

First, like all Visual QuickStart Guides , this one is task oriented, describing and showing you how to perform most common video production tasks . The descriptions are precise and exhaustive, identifying with screen shots and text the best ways to get the job done.

In addition, having worked with digital video for many years , I know that video editing can be an incredible time sink, probably the main reason most folks simply don't edit their camcorder tapes. Thus many sections and tips focus on how to avoid problems and work as efficiently as possible. Sidebars address technical topics to help you make decisions.

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Making Movies with Studio

Within its uniquely unified video-editing /DVD-authoring interface, Studio gives you an unparalleled range of production activities. Depending on your equipment, you can capture footage from a digital or analog camcorder, edit the footage, integrate video from other sources, and output the results for streaming on the Internet, playing back on your desktop, or delivering via DVD or CD.

However, all good movies, regardless how they are delivered, must start with an appreciation of how to create movies worth watching. Chapter 1 explores the notion of creating watchable video, a primer aimed at teaching you the proper settings for your video camera and sound shooting techniques. Chapter 2 introduces you to the Studio interface and gets your computer ready for video production.

Editing and production

After you've shot your source videos using the proper camera settings and solid shooting techniques, the process of editing and production begins. It involves the following four steps:

  • Gathering assets . This is where you capture your video, import still images, or grab them from your camcorder or captured video, and import any background audio files. These activities are covered in Chapters 3, 4, and 5.

  • Trimming and organizing . In most instances, you won't want to include every minute that you shot in the final production. Accordingly, you trim unwanted sections, then place your video clips and still images in the desired order. Chapter 7 describes how to get this done.

  • Garnishing . Here's where the true editing comes in. During this stage, you add transitions between clips, title tracks, still image overlays, and any special effects. You can also input a narration track, add music ripped from a CD, or create your own custom background track using SmartSound (a utility included with Studio). Chapters 8 through 11 cover these activities.

  • Rendering . This is where you produce your final output. Though "encoding into a streaming format" may sound complicated, Studio includes easy-to-follow templates that simplify the task, making this stage the most mechanical of all. Chapter 14 describes how to output your videos as digital files for posting to a Web site, sending via email, or copying to CD-ROM.

If you're outputting to DVD there's another stage, of course, typically called authoring . This is when you create your menus , link videos and still image assets, and preview to ensure that your project flows as desired. Then you burn your disc. DVD production is covered in Chapter 12.

You can also write your production back to your camcorder, where you can dub copies for VHS or other analog players. I describe how to do this in Chapter 13. Finally, Chapter 15 details how to convert tape based videos to DVD with Pinnacle's Instant DVD Recorder.

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