| | | Copyright |
| | | Acknowledgements |
| | | Chapter 1. Introduction |
| | | | What's in the box? |
| | | | Who Is This Book For? |
| | | | What Does Reason Do? |
| | | | Using Reason with Other Programs |
| | | | Recording "Outside" Sound |
| | | | What's New in 3.0 |
| | | | Digital Audio Basics |
| | | Chapter 2. Installation |
| | | | Before You Start |
| | | | Audio Hardware |
| | | | Setting Up MIDI |
| | | | Installing Reason |
| | | | Changing Preferences |
| | | | Setting Up Control Surfaces |
| | | Chapter 3. Reason Overview |
| | | | Getting Around in Reason |
| | | | The Reason Work Process |
| | | | Switching Windows |
| | | | The Sequencer Edit Mode |
| | | | Introducing Controllers |
| | | | The Back of the Rack |
| | | | Understanding Control Voltage (CV) |
| | | | Getting Rid of the Demo Song |
| | | Chapter 4. Getting Started |
| | | | Starting Your First Song from Scratch |
| | | | The Reason 14:2 Mixer |
| | | | The Redrum Machine |
| | | | Loading Samples |
| | | | Getting the Redrum to Play |
| | | | Making a Beat Loop |
| | | | Writing a Drum Track |
| | | | Mixing the Drums |
| | | | Changing Drum Sounds |
| | | | Copying and Moving Notes |
| | | | Moving Beyond the Loop |
| | | | Editing Timing in Reason |
| | | | Using an External MIDI Input Device |
| | | | Custom Quantization: User Groove |
| | | | Saving Your Work |
| | | Chapter 5. Building a Song |
| | | | Adding a SubTractor |
| | | | Synth Basics |
| | | | Oscillators |
| | | | Phase Modulation |
| | | | The Noise Generator |
| | | | Keyboard Tracking |
| | | | Adding Frequency Modulation |
| | | | Using Filters |
| | | | Adding a Second Filter |
| | | | Using Envelopes |
| | | | Low-Frequency Modulation |
| | | | The Modulation Envelope |
| | | | Using the Velocity Section |
| | | | Other Play Parameters |
| | | | Putting It All Together |
| | | | Adding a Malström |
| | | | Changing Malström Waveforms |
| | | | Creating a Pad |
| | | | Making a Slow Pad with the Malström |
| | | | Routing Signals in the Malström |
| | | | The Malström Filters |
| | | | Malström Play Parameters |
| | | | The Malström Outputs |
| | | | The Malström Audio Inputs |
| | | Chapter 6. Working With Samplers |
| | | | Creating an NN-19 Sampler |
| | | | Writing Your First Sampler Track |
| | | | Writing Multiple Parts |
| | | | Creating Your Own Instruments |
| | | | Multisampled Instruments |
| | | | Creating Multisampled Instruments |
| | | | Mapping Multiple Key Zones |
| | | | Using Unpitched Instruments |
| | | | Mapping Unpitched Samples |
| | | | Writing an Unpitched Track |
| | | | Using the NN-19 Controls |
| | | | Controller Automation |
| | | | The NN-XT Advanced Sampler |
| | | | NN-XT Patch Anatomy |
| | | | Creating an NN-XT Instrument |
| | | | Layering Samples |
| | | | Setting Up Groups |
| | | | The Group Parameter Knobs |
| | | | Copying Samples Between Two NN-XTs |
| | | | Modifying NN-XT Parameters |
| | | | Advanced Maps: Reverse Drums |
| | | | The Dr. Rex Loop Player |
| | | | Dr. Rex Dance Guitar |
| | | | Bouncing a Loop |
| | | | Modulating a Bounced Loop |
| | | | Rearranging Slices in Your Sequencer |
| | | | Slice Files and the NN-XT |
| | | Chapter 7. Patterning |
| | | | The Redrum Pattern Sequencer |
| | | | The Pattern Bank |
| | | | The Matrix Pattern Sequencer |
| | | Chapter 8. Effects |
| | | | Adding Echo |
| | | | Adding Reverberation |
| | | | Creating a Master Effect |
| | | | Exploring Reverb Types |
| | | | Adding Distortion |
| | | | The Scream 4 Sound Destruction Unit |
| | | | Using the Other Scream 4 Controls |
| | | | Phase Effects |
| | | | The CF-101 Chorus/Flanger |
| | | | The PH-90 Phaser |
| | | | The UN-16 Unison |
| | | | EQ Effects |
| | | | The PEQ-2 Two Band Parametric EQ |
| | | | The BV512 Vocoder |
| | | | Vocoding |
| | | Chapter 9. Cabling Setups |
| | | | Introducing the Combinator |
| | | | Creating Multi-Instruments |
| | | | Using Gated Reverb |
| | | | Chaining Effects |
| | | Chapter 10. Arranging and Mixing |
| | | | Grouping Sections |
| | | | Editing Groups |
| | | | Mixing |
| | | | Chaining Mixers in Parallel |
| | | | Submixing with a Combinator |
| | | | Setting Signal Levels |
| | | | Automating a Mix |
| | | | Rack Remixing with the Combinator |
| | | | Exporting Audio |
| | | | Importing Audio |
| | | Chapter 11. Mastering |
| | | | Before You Start Mastering |
| | | | Adding an MClass Mastering Suite |
| | | | Using the MClass Equalizer |
| | | | Using the MClass Stereo Imager |
| | | | Usine the MClass Compressor |
| | | | Using the MClass Maximizer |
| | | | Creating a Multiband Compressor |
| | | | Using Sidechains |
| | | | Outputting Your Song |
| | | Appendix A. Rewire, Recycle!, Rebirth |
| | | | Reload |
| | | | ReWire |
| | | | ReCycle! |
| | | | ReBirth |
| | | Appendix B. Resources |
| | | | Information sites |
| | | | Reason forums |
| | | | Samples and ReFills |
| | | | Creating Your Own ReFills |
| | | Index |
