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The Real Secret to Getting Sharp Photos


The Real Secret to Getting Sharp Photos

BILL FORTINEY

Hey, before we get to "The Real Secret to Getting Sharp Photos," I need to let you in on a few quick things that will help you big time in getting the most from this book (sorry about duping you with "The Real Secret to Getting Sharp Photos" headline, but don't worrythat subject and more are coming right up, but first I have to make sure you totally understand how this book works. Then it will all make sense and we can worry about sharp photos). The idea is simple: you and I are out on a photo shoot. While we're out shooting, you have lots of questions, and I'm going to answer them here in the book just like I would in real lifestraight and to the point, without teaching you all the technical aspects and behind-the-scenes technology of digital photography. For example, if we were out shooting and you turned to me and said, "Hey Scott, I want to take a shot where that flower over there is in focus, but the background is out of focus. How do I do that?" I wouldn't turn to you and give you a speech about smaller and larger apertures, about how exposure equals shutter speed plus aperture, or any of that stuff you can read in any book about digital photography (and I mean any bookit's in every one). In real life, I'd just turn to you and say, "Put on your zoom lens, set your aperture at f/2.8, focus on the flower, and fire away." That's how this book works. Basically, it's you and me out shooting, and I'm giving you the same tips, the same advice, and the same techniques I've learned over the years from some of the top working pros, but I'm giving it to you in plain English, just like I would in person, to a friend.



The Other Most Important Secret

BILL FORTINEY

Again, ignore that headline. It's just a cheap come-on to get you to keep reading. Anyway, that's the scoop. Now, here's another important thing you need to know. To get the kind of quality photos I think you're looking for, sometimes it takes more than changing an adjustment in the camera or changing the way you shoot. Sometimes, you have to buy the stuff the pros use to shoot like a pro. I don't mean you need to buy a new digital camera, but instead, some accessories that the pros use in the field every day. I learned a long time ago that in many fields, like sports for example, the equipment doesn't really make that big a difference. For example, go to Wal-Mart, buy the cheapest set of golf clubs you can, hand them to Tiger Woods, and he's still Tiger Woodsshooting 12 under par on a bad day. However, I've never seen a field where the equipment makes as big a difference as it does in photography. Don't get me wrong, hand Jay Maisel a point-and-shoot camera and he'll take point-and-shoot shots that could hang in a gallery, but the problem is we're not as good as Jay Maisel. So, to level the playing field, sometimes we have to buy accessories (crutches) to make up for the fact that we're not Jay Maisel. Now, I don't get a kickback, bonus, or anything from any of the companies whose products I recommend. I'm giving you the same advice I'd give you if we were out shooting (which is the whole theme behind this book). This is not a book to sell you stuff, but before you move forward, understand that to get pro results sometimes you have to use (and that means buy) what the pros use.