| | Copyright |
| | Acknowledgments |
| | Other Books By Scott Kelby |
| | About The Author |
| | Chapter One. Pro Tips for Getting Really Sharp Photos |
| | | The Real Secret to Getting Sharp Photos |
| | | The Other Most Important Secret |
| | | Perhaps Even More Important Than That! |
| | | If You Skip This, Throw Away Your Camera |
| | | If You Do This Wrong, It Will Lock Up |
| | | It's Time to Get Serious |
| | | Getting "Tack Sharp" Starts with a Tripod |
| | | A Ballhead Will Make Your Life Easier |
| | | Don't Press the Shutter (Use a Cable Release) |
| | | Forgot Your Cable Release? Use a Self Timer |
| | | Getting Super Sharp: Mirror Lock-Up |
| | | Turn Off Vibration Reduction (or IS) |
| | | Shoot at Your Lens' Sharpest Aperture |
| | | Good Glass Makes a Big Difference |
| | | Avoid Increasing Your ISO, Even in Dim Light |
| | | Zoom In to Check Sharpness |
| | | Sharpening After the Fact in Photoshop |
| | | Pro Sharpening |
| | | Hand-Held Sharpness Trick |
| | | Getting Steadier Hand-Held Shots |
| | Chapter Two. Shooting Flowers Like a Pro |
| | | Don't Shoot Down on Flowers |
| | | Shooting Flowers with a Zoom Lens |
| | | Use a Macro Lens to Get Really Close |
| | | Can't Afford a Macro? How 'bout a Close-Up? |
| | | When to Shoot Flowers |
| | | Don't Wait for RainFake it! |
| | | Flowers on a Black Background |
| | | Shooting on a White Background |
| | | The Perfect Light for Indoor Flower Shots |
| | | Where to Get Great Flowers to Shoot |
| | | Stopping the Wind |
| | Chapter Three. Shooting Weddings Like a Pro |
| | | The Trick for Low-Light Shooting in a Church |
| | | Getting Soft, Diffused Light with Flash, Part 1 |
| | | Getting Soft, Diffused Light with Flash, Part 2 |
| | | Use Your Flash at Outdoor Weddings |
| | | Keep Backup Memory Cards on You |
| | | Formals: Who to Shoot First |
| | | Formals: Where to Aim |
| | | The Trick to Keeping Them from Blinking |
| | | Reception Photos: Making Them Dance |
| | | Your Main Job: Follow the Bride |
| | | Formals: How High to Position Your Camera |
| | | Formals: Don't Cut Off Joints |
| | | Formals: Build Off the Bride and Groom |
| | | Formals: The Trick to Great Backgrounds |
| | | Shooting the Details (& Which Ones to Shoot) |
| | | Change Your Vantage Point to Add Interest |
| | | Finding That Perfect Bridal Light |
| | | How to Pose the Bride with Other People |
| | | What to Shoot with a Wide-Angle Lens |
| | | Back Up Your Photos Onsite |
| | | If Shooting JPEGs, Use a Preset White Balance |
| | Chapter Four. Shooting Landscapes Like a Pro |
| | | The Golden Rule of Landscape Photography |
| | | Become Married to Your Tripod |
| | | Shoot in Aperture Priority Mode |
| | | Composing Great Landscapes |
| | | The Trick to Shooting Waterfalls |
| | | A Tip for Shooting Forests |
| | | Where to Put the Horizon Line |
| | | Getting More Interesting Mountain Shots |
| | | The Trick for Warmer Sunrises and Sunsets |
| | | Turn on "The Blinkies" to Keep More Detail |
| | | How to Avoid the Dreaded Blinkies |
| | | How to Show Size |
| | | Don't Set Up Your Tripod. Not Yet |
| | | The Trick to Getting Richer Colors |
| | | What to Shoot in Bad Weather |
| | | Atmosphere Is Your Friend |
| | | Getting Rid of Lens FlareThe Manual Way |
| | | The Landscape Photographer's Secret Weapon |
| | | Keeping Your Horizons Straight |
| | | Shooting on Cloudy Days |
| | | Tips for Shooting Panoramas, Part 1 |
| | | Tips for Shooting Panoramas, Part 2 |
| | | Tips for Shooting Panoramas, Part 3 |
| | | Faking Panoramas |
| | | Why You Need a Wide-Angle Lens |
| | | Shooting Wildlife? Aim at Their Eyes |
| | | Don't Crop Wildlife in Motion Too Close |
| | | Shooting Wildlife? Get in Really Tight |
| | | What to Shoot at Sunset |
| | Chapter Five. Shooting Sports Like a Pro |
| | | Set Your White Balance for Indoor Sports |
| | | Shoot at a 1/640 Sec. Shutter Speed or Faster |
| | | Pro Sports Shooting Is Dang Expensive |
| | | Don't Plan on Changing Lenses |
| | | Which Lenses to Use |
| | | Pre-Focus to Get the Shot |
| | | Raise Your ISO to Get the Speed You Need |
| | | The Pros Know the Game |
| | | Don't Always Focus on the Winner |
| | | Shooting in Burst Mode |
| | | Stability for Shooting Sports |
| | | Shoot Vertically for More Impact |
| | | Pan to Show Motion |
| | | Shoot Wide Open |
| | | Go for the Face |
| | | RAW or JPEG for Sports Shooters? |
| | | Composing for Sports |
| | Chapter Six. Shooting People Like a Pro |
| | | The Best Lens for Portrait Photography |
| | | Which Aperture to Use |
| | | Using Seamless Backgrounds |
| | | Using Canvas or Muslin Backgrounds |
| | | The Right Background Outdoors |
| | | Where to Focus |
| | | Where to Position Your Camera |
| | | Positioning Your Subject in the Frame |
| | | Tip for Framing Portraits |
| | | Getting Great Light Outdoors |
| | | Getting Great Light Indoors |
| | | Taking Great Photos of Newborn Babies |
| | | Great Sunset Portraits |
| | | Better Natural-Light Portraits with Reflectors |
| | Chapter Seven. Avoiding Problems Like a Pro |
| | | Pro Tips to Avoid White Balance Problems |
| | | Cold Weather Shooting Means Extra Batteries |
| | | Don't Change Lenses in Dusty Weather |
| | | Apply for Permits to Shoot with Your Tripod |
| | | Be Careful What You Shoot |
| | | A Tip for Shooting on an Incline |
| | | The Other Reason Pros Use a Lens Hood |
| | | Keeping Your Lens Out of Trouble |
| | | Back Up Your Photos in the Field |
| | | Limit Your LCD Time to Save Battery Life |
| | | Be Careful When Throwing Out CDs/DVDs |
| | | Bracket If You're Not Sure About Exposure |
| | | Avoid Red Eye |
| | | Remove Red Eye |
| | Chapter Eight. Taking Advantage of Digital Like a Pro |
| | | Level the Playing Field: Press That Button |
| | | Put the LCD Monitor to Work |
| | | Edit as You Shoot to Get More Keepers |
| | | Take Advantage of the Blinkies |
| | | Change Your ISO on the Fly |
| | | No Penalty Fee for Experimenting |
| | | Don't Cram Too Much on One Card |
| | | Take Advantage of Poster-Sized Printing |
| | | You Can Make One Film Fit All |
| | | Is It Better to Underexpose or Overexpose? |
| | | Keep from Accidentally Erasing Memory Cards |
| | Chapter Nine. Taking Travel & City Life Shots Like a Pro |
| | | How to Be Ready for "The Shot" |
| | | Shoot Kids and Old People. It Can't Miss |
| | | Hire a Model (It's Cheaper Than You'd Think) |
| | | What Time to Shoot |
| | | Look for Bold, Vivid Colors |
| | | Shooting Travel? Visit PhotoSecrets.com First |
| | | Don't Try to Capture It All: Shoot the Details |
| | | The Best Shot May Be Just Three Feet Away |
| | | Shoot the Signs. You'll Thank Yourself Later |
| | | Showing Movement in the City |
| | | Use an Aperture That Takes It All In |
| | | For Maximum Impact, Look for Simplicity |
| | | The Monopod Scam |
| | | What to Do When It's Been "Shot to Death" |
| | | Including the Moon and Keeping Detail |
| | | Shooting Fireworks |
| | Chapter Ten. How to Print Like a Pro and Other Cool Stuff |
| | | The Advantages of Shooting in RAW |
| | | How to Process RAW Photos in Photoshop |
| | | Compare Your LCD to Your Computer Monitor |
| | | Organizing Your Photos with Lightroom |
| | | How Many More Megapixels Do You Need? |
| | | Printing Lab-Quality 8x10s |
| | | Printing Lab-Quality 13x19" Prints |
| | | Printing 16x20sThe Pros' Top Choice |
| | | Which Paper Should You Print On? |
| | | What Determines Which Paper You Use? |
| | | Getting Your Monitor to Match Your Printer |
| | | Download the Color Profiles for Your Paper |
| | | Selling Your Photos as "Stock" Online |
| | | A Quick Peek at My Gear |
| | | Some Books I Personally Recommend |
| | | Learn from Me on Adobe® Photoshop® TV |
| | Chapter Eleven. Photo Recipes to Help You Get "The Shot" |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | | The Recipe for Getting This Type of Shot |
| | Index |