| | Copyright |
| | Acknowledgments |
| | Foreword |
| | Chapter One. Getting Started |
| | | #1 Choosing the Right Project Preset |
| | | #2 Changing Your General Settings |
| | | #3 Creating Custom Project Presets |
| | | #4 Customizing Your Workspace |
| | | #5 Working with Dual Monitors |
| | | #6 Introducing Adobe Bridge |
| | Chapter Two. Editing Preliminaries |
| | | #7 Enabling Scene Detection During Capture |
| | | #8 Solving the Capture Device Offline Issue |
| | | #9 Creating Subclips |
| | | #10 Storyboarding in Premiere Pro |
| | | #11 Selecting Audio or Video in the Source Monitor |
| | | #12 Targeting Tracks for Input |
| | | #13 Overlay vs. Insert Edits |
| | | #14 Previewing with the Work Area Bar |
| | | #15 Working with Three-point Edits |
| | | #16 Working with Four-point Edits |
| | Chapter Three. Using Premiere Pro and After Effects Together |
| | | #17 Getting Started with After Effects |
| | | #18 Copying and Pasting from Premiere Pro to After Effects |
| | | #19 Importing Premiere Pro Projects into After Effects |
| | | #20 Importing After Effects Projects into Premiere Pro with Dynamic Link |
| | Chapter Four. Perfecting Video Quality |
| | | #21 Checking Brightness and Color with the YC Waveform Scope |
| | | #22 Setting Up for Color Correction |
| | | #23 Adjusting Brightness with Levels |
| | | #24 Fixing Backlight Issues with the Shadow/Highlight Filter |
| | | #25 Perfecting the Auto Color Effect |
| | | #26 Adjusting White Balance with the Fast Color Corrector |
| | | #27 Using the Three-Way Color Corrector |
| | | #28 Using the RGB Parade Scope |
| | | #29 Stabilizing Your Image in Premiere Pro |
| | | #30 Stabilizing Your Image in After Effects |
| | | #31 Pasting Effects |
| | | #32 Creating Effect Presets |
| | Chapter Five. Multi-Camera Production in Premiere Pro |
| | | #33 Synching Clips with Markers |
| | | #34 Synching Clips on the Timeline |
| | | #35 Perfecting Source Clips |
| | | #36 Choosing Camera Angles with the Multi-Camera Monitor |
| | | #37 The Tao of Multi-Camera Editing |
| | | #38 Editing a Multi-Camera Sequence on the Timeline |
| | | #39 Setting Up Overlay Effects with the Multi-Camera Tool |
| | | #40 HDV and Multi-Camera Editing, Part I |
| | | #41 HDV and Multi-Camera Editing, Part II |
| | Chapter Six. Applying Cool Special Effects |
| | | #42 Producing Overlay Effects |
| | | #43 Customizing Effects with Keyframes |
| | | #44 Going Split ScreenDiagonal |
| | | #45 Producing a Picture-in-Picture Effect |
| | | #46 Converting Clips to Sepia in Premiere Pro |
| | | #47 Transitioning from Black and White to Full Color |
| | | #48 Perfecting Chroma Key in Premiere Pro |
| | | #49 Using After Effects' Keylight Plug-in |
| | | #50 Working with Mattes in Premiere Pro |
| | | #51 Creating Mattes in Premiere Pro |
| | | #52 Applying the Track Matte Key |
| | | #53 Animating Clips in Premiere Pro |
| | | #54 Motion Tracking in After Effects |
| | | #55 Applying Motion-Tracking Data |
| | Chapter Seven. Transitions and Titles |
| | | #56 Five Things You Don't Know About Premiere Pro Transitions |
| | | #57 Synch Your Titles and DVD Menus |
| | | #58 Working with Premiere Pro Title Templates |
| | | #59 Designing with the Titler's Design Primitives |
| | | #60 Producing Rolling Credits |
| | | #61 Creating Titles in Photoshop |
| | | #62 Creating Titles in Illustrator |
| | | #63 Producing Title Backgrounds in After Effects |
| | | #64 Creating Simple Text Animations in After Effects |
| | | #65 Producing Matte Effects with Titles |
| | Chapter Eight. Creating Slide Shows in Premiere Pro |
| | | #66 Preprocessing Images for Premiere Pro in Photoshop |
| | | #67 Understanding Square Pixels |
| | | #68 Managing Images in Premiere Pro |
| | | #69 Producing Pan-and-Zoom Effects in Premiere Pro |
| | | #70 Creating a Still Frame with Frame Hold Control |
| | | #71 Creating Slide Shows in Premiere Pro |
| | Chapter Nine. Working with Audio |
| | | #72 Working with Audio in Premiere Pro |
| | | #73 Getting Started in Audition |
| | | #74 Normalizing Audio in Premiere Pro and Audition |
| | | #75 Reducing Noise in Audition |
| | | #76 Removing Irregular Pops and Clicks in Audition |
| | | #77 Creating Narrations in Audition |
| | Chapter Ten. Sharing, Rendering, and Encoding Your Projects |
| | | #78 Sharing and Reviewing with Adobe Clip Notes |
| | | #79 Exporting Frames from Premiere Pro |
| | | #80 Exporting Audio from Premiere Pro |
| | | #81 Working with the Adobe Media Encoder |
| | | #82 Producing Flash Output |
| | | #83 Deinterlacing Video for Progressive Output |
| | | #84 Rendering in After Effects |
| | | #85 Creating Custom Output Presets in After Effects |
| | Chapter Eleven. DVD Production in Premiere Pro |
| | | #86 Using Premiere Pro vs. Encore DVD |
| | | #87 Producing a Menu-less DVD in Premiere Pro |
| | | #88 Creating Scene Markers in Premiere Pro |
| | | #89 Choosing DVD Templates in Premiere Pro |
| | | #90 Customizing DVD Menus in Premiere Pro |
| | | #91 Creating Chapter Markers for Encore DVD in Premiere Pro |
| | Chapter Twelve. Producing DVDs in Encore DVD |
| | | #92 Getting Started with Encore DVD |
| | | #93 Creating Text Buttons in Encore DVD |
| | | #94 Editing Text Buttons in Photoshop |
| | | #95 Producing Motion Menus in After Effects |
| | | #96 Controlling Button Behavior in Motion Menus |
| | | #97 Controlling the DVD Viewing Experience |
| | | #98 Creating and Using Playlists |
| | | #99 Manually Arranging Button Routing |
| | | #100 Previewing Your DVD |
| | Adobe Production Studio Integration Options |
| | | Adobe After Effects |
| | | Adobe Premiere Pro |
| | | Adobe Encore DVD |
| | Index |