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Again, due to the absence of tape hiss, recording your tracks dry, with no effects or compression of any kind, is a good, quick alternative to "getting it right going to tape." A performer may become frustrated if he has to keep warming up while the engineer fiddles with the settings. Recording dry keeps your tracking sessions moving quickly. You can always apply compression or effects later in your mix. If the performer wants to hear some compression on his track as he is performing, apply the compression (or effects) in the Track Mixer, not the Input Mixer. For any channel that is being recorded dry, you can set its Input Mixer fader to 0dB. Hold CLEAR and press the CH EDIT button above the desired channel to automatically move the fader to 0dB. |
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