Routing

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Think of routing as the VS-2480's internal patch bay. This is where you connect the INs and OUTs and assign who is listening to what. . .all staying within the digital domain.

Patch Bay

There are a number of important features to be found in the patch bay section, shown in Figure 13.5.

Figure 13.5. Patch bay routing


Phantom Power

Phantom power for each of the eight XLR connectors may be individually turned on or off by the controls at the top of the screen.

Input Mixer Source Assignment

The lines connecting the analog and digital inputs to the Input Mixer move in pairs. Any pair of the 16 analog inputs, any pair of inputs from either R-BUS, or from either of the SPDIF stereo channels may be connected to each pair of Input Mixer channels.

RBus2/SPDIF Select

A total of up to 16 digital inputs can be used at one time on the VS-2480, though there are 20 digital inputs available. Due to this hardware, the digital inputs from R-BUS 2 and the two stereo SPDIF input channels are configured to share eight digital inputs. The SELECT buttons let you select from among the available inputs.

Track Assign

Figure 13.6. Track assignment routing


Here you can select the sources for the 24 recording tracks. Available sources include:

  • Input Mixer: Any of the 24 Input Mixer channels.

  • AUX: Any of the 8 AUX busses .

  • DIR: Any of the 8 DIR busses.

  • Track Mixer: Any of the 24 Track Mixer channels. Routing track A to recording track B removes track A from the Master bus.

  • FX RTN: Any of the eight effects returns. This allows you to print effects. Only effects channels that actually have effects boards installed are available. Routing a loop effect to a recording track removes the effects from the Master bus.

  • GEN: The output of the oscillator/noise generator/metronome is available here. This provides a quick way to print a click track assigned to a track channel, providing greater control.

Output Assign

All the VS-2480's output connections are listed across the top of the screen, as shown in Figure 13.7. Select a pair of outputs and drag with the mouse or spin the jogwheel to assign what is going where. The Track Direct Out control allows individual pairs of tracks to be connected to any output connection.

Figure 13.7. Output assignment routing


¼" TRS Outputs

The MST (Master) bus is always present at TRS outputs 1 and 2, and the MON (monitor) bus is always present at outputs 7 and 8. Outputs 3 and 4 (AUX A) and outputs 5 and 6 (AUX B) may be fed from any AUX or DIR pair. (Again, ALL outputs can have various sources.)

Digital Outputs

The R-BUS outputs may be fed from the Master bus, the Monitor bus, or any AUX or DIR pair. The R-BUS 2 and SPDIF output availability depends on the settings of the SELECT buttons in the patch bay routing section.

Monitor Bus Select

The source for the Monitor bus is normally the Master bus, but you can select the Record bus, or any AUX or DIR pair, to feed the Monitor bus. If the Record bus is selected as the source for the Monitor bus, the REC BUS ATT button controls the level of the Record bus as supplied to the Monitor bus.

Track Direct Out

If the TRACK DIRECT OUT button is engaged, any track pair may be assigned to any output pair of connectors. The PRE/POST button controls if the direct signals are provided before (PRE) or after (POST) the track faders .

Loop Effects Assignment

The loop effects assign screen is shown in Figure 13.8. Here is where you choose input sources for the internal effects processors.

Figure 13.8. Connect any of the eight available effects processors to any AUX or DIR pair


FKey Options

You can save commonly used routings and load them from memory (EZ Routing). You can also reset or completely clear either the patch bay or the track assignments with the touch of a button, much faster than resetting all the connections manually.

Making Connections

In the routing screens, all connections have one end that is fixed (that is, cannot be moved) and one that may be attached to many destinations. Track connections are represented by single lines. Input, output, and effects connections are represented by dual lines. These representations are indicative of the hardware they represent. Typically, converter chips, both A/D and D/A, are stereo units.

With the Mouse

Making connections with your mouse is very simple, as shown in Figures 13.9 thru 13.11.

Figure 13.9. Grab the connection with the mouse


Figure 13.10. Drag the connection


Figure 13.11. Drop the connection


You can grab the connection at either end. When you grab the connection, it turns white.

Patch bay and track assignments are adjusted horizontally, while output and effects assignments are adjusted vertically.

Each of the possible connection points for the selected connection will be highlighted as you drag over them. The mouse pointer turns into a pointing finger when you hover above one.

With the Cursor Buttons and Time/Value Dial

Use the PAGE key if necessary to select page 1 of 2 for the F-Keys. Use the F1, F2, F3, and F4 buttons to select one of the four main routing areas.

Use the cursor keys to select the fixed end of the desired connection.

Use the Time/Value dial to select the desired destination.

Using the Quick Routing screen

Press and hold any of the TRACK STATUS buttons to invoke the Quick Routing screen.

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Roland VS Recorder Power.
Roland VS Recorder Power.
ISBN: 1592008364
EAN: N/A
Year: 2005
Pages: 202

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