| | Copyright |
| | About the Author |
| | Acknowledgments |
| | Introduction |
| | | The Wonder of Special Effects (SFX) |
| | | Where the Fun Is |
| | | The Minimal System for Creating SFX |
| | | The Optimal System for Creating SFX |
| | | The Secret of Working with Special FX |
| | Chapter 1. The See-Through Title Effect |
| | | Introduction |
| | | Creating the Project and Setting Up the Tracks |
| | | Adding the Background Clip to the Timeline |
| | | Creating the Main Title Text |
| | | Adding the "Fill" Clip to the Timeline |
| | | Filling the Title with the Clouds Clip |
| | | Creating a Drop Shadow for the Title |
| | | Adding Some Theme Music |
| | | Adding a "Fade Out" to All Video and Title Clips |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 2. The Retro Title Effect |
| | | Introduction |
| | | Installing the Fonts for this Project |
| | | Adding the Video Clip to the Timeline |
| | | Modifying the Clip to Give it a "Cinematic '60's" Feel |
| | | Creating the First Still |
| | | Creating the Second Still |
| | | Creating the Third Still |
| | | Creating "Credits" for Each Still |
| | | Animating the First Actor's Still and Credits |
| | | Animating the Second Actor's Still and Credits |
| | | Animating the Third Actor's Still and Credits |
| | | Creating an Opening Title |
| | | Creating a Title to Set the Scene |
| | | Adding a Little "Retro" Music to the Timeline |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 3. The Star Wars Opening Sequence Effect |
| | | Introduction |
| | | Adding the Starry Background |
| | | Creating Your "Long Ago" Text |
| | | Installing the Jedi Font |
| | | Building Your "Star Wars" Logo |
| | | Animating Your Logo |
| | | Preparing Your Scrolling Text |
| | | Transforming the Shape of the Scrolling Text |
| | | Animating the Scrolling Text |
| | | Making the Scrolling Text Scroll |
| | | Adding the Star Wars Theme Music |
| | | Synchronizing Audio and Video |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 4. The Passing of Time Effect |
| | | Introduction |
| | | Adding the Clip to the Timeline |
| | | Marking the Individual Scenes |
| | | Removing Time (Frames) from the Clip |
| | | Adding a Cross Dissolve Between Clips |
| | | Adjusting the Transitions in the Properties Panel |
| | | Select the Music for the Soundtrack |
| | | Mixing in the Music Track |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 5. The Fast Times Effect |
| | | Introduction |
| | | Adding the Two Video Clips to the Project |
| | | Increasing the Speed of the Background Clip |
| | | Applying the Green Screen Key to the Foreground Clip |
| | | Matching the Appearance of the Two Clips |
| | | Adding the Soundtrack |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 6. The Reverse Action Effect |
| | | Introduction |
| | | Adding Your Clip to the Timeline |
| | | Selecting a Section of the Clip to Reverse |
| | | Copying and Pasting the New Selection |
| | | Doubling Up the Clips |
| | | Reversing the "B" Clips for a "Back and Forth" Effect |
| | | Finding the Next Selection to Reverse |
| | | Tripling the Clips |
| | | Reversing Every Other Clip |
| | | Adding Cartoon Sound Effects to the Action |
| | | Adding a Touch of Silly Music |
| | | Adding a Still Image at the End of the Movie |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 7. The Pencil Sketch Effect |
| | | Introduction |
| | | Adding Your Clip to the Timeline |
| | | Applying the Sharpen Effect |
| | | Applying the Extract Effect |
| | | Adding a "Paper" Background |
| | | Applying the Paper Texture to the Drawing |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 8. The Watercolor Painting Effect |
| | | Introduction |
| | | Loading the Video Clip |
| | | Selecting and Creating the Still Image |
| | | Adding the Still Image to the Timeline Twice |
| | | Applying a Watercolor Effect to the Upper Snapshot |
| | | Adjusting the Opacity of the "Faceted" Clip |
| | | Applying a Pen and Ink Effect to the Lower Snapshot |
| | | Adding a Matte Border to the Still Image |
| | | Adding a Music Track |
| | | Fading Out All the Clips |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 9. The Faded Film Effect |
| | | Introduction |
| | | Starting Movie Maker and Importing the Clip |
| | | Applying the Old Film Effect to the Clip |
| | | Saving the Clip as an AVI File |
| | | Bringing the Clip into Premiere Elements and Colorizing It |
| | | Adding Some "Flash" to the Clip |
| | | Adding Some Period Music to the Soundtrack |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 10. The Nightly News Effect |
| | | Introduction |
| | | Adding Video and Graphics Clips to the Project |
| | | Creating the TV News Background |
| | | Adding the Anchorman |
| | | Removing the Green Background from Behind the Anchorman |
| | | Resizing and Moving the Anchorman |
| | | Adding the Lower Third Graphic |
| | | Adding Lower Third Text for the Anchorman |
| | | Adding the "On Site" Reporter Clip to the Project |
| | | Adding Lower Third Graphic and Text for the Reporter |
| | | Adding "TV News" Theme Music |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 11. The "24" Effect |
| | | Introduction |
| | | Bringing in the Clips for the Project |
| | | Creating the Opening Text |
| | | Animating the Opening Text |
| | | Creating the Digital Countdown Clock |
| | | Animating the Clock Using Titles Clips in Sequence |
| | | Synchronizing the Title and Clock Clips and Adding the "Beep" |
| | | Adding the Four Video Clips to the Timeline |
| | | Applying a PiP Effect to Each of the Video Clips |
| | | Making Final Changes and Adding the Soundtrack |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 12. The Beam Me Up Effect |
| | | Introduction |
| | | Loading the Clips for the Project |
| | | Adding the Transported Man to the Timeline |
| | | Creating a Freeze Frame Image |
| | | Inserting the Background Clip onto the Timeline |
| | | Retiming and Moving the Transported Man |
| | | Adding the Transporter Beam to the Timeline |
| | | Creating a White Matte |
| | | Applying the Track Matte Key to the White Matte |
| | | Adjusting the Location of the Transporter Beam |
| | | Adjusting the Opacity of the Transported Man |
| | | Adding a Bright "Flash" to the Transported Man as He Rematerializes |
| | | Applying the Transporter Sound |
| | | Creating a Fade Out for the Project |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 13. The Night Vision Effect |
| | | Introduction |
| | | Adding the Video Clip to the Project |
| | | Removing the Existing Colors from the Clip |
| | | Adding the Green of the Night Vision Using the Tint Effect |
| | | Adding Noise to Simulate the Graininess of Night Vision |
| | | Adding Darkness to the "Nightime" Clip |
| | | Adding a Overlay to Simulate Night Vision Goggles |
| | | Adding Motion to the "Goggles" to Simulate a Searching Movement |
| | | Adding Blurriness to the "Goggles" for Additional Realism |
| | | Turning the Little White Circles into True Goggles |
| | | Adding Mysterious Music "Under" |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 14. The Hidden Identity Effect |
| | | Introduction |
| | | Loading the Video Clip |
| | | Adding the Clip to the TimelineTwice |
| | | Creating a "Hider" Object to Hide the Face |
| | | Applying a Blur Effect to the Image |
| | | Synchronizing the Hider Object to the Action |
| | | Applying the Mosaic Effect to the Second Clip |
| | | Applying the Track Matte Effect to the Second Clip |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 15. The Bleeping #$%&! Effect |
| | | Introduction |
| | | Adding the Video Clip to the Timeline |
| | | Finding and Marking "Offensive Moments" |
| | | Removing the Audio at Each "Offensive Moment" |
| | | Importing the Sound Effect Files |
| | | Adding Sound Effects to the Audio 2 Track |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 16. The Enchanted Elf Effect |
| | | Introduction |
| | | Adding the Video Clips to the Timeline |
| | | Applying Color and Contrast Effects to the Elf Clip |
| | | Applying the Green Screen Key |
| | | Colorizing the "Elf" |
| | | Adding the Foreground Clip |
| | | Cropping the Foreground Clip to Create a Multi-Dimensional Environment |
| | | Shrinking the "Elf" |
| | | Adjusting the Elf's Starting Location |
| | | Making the Elf "Vanish" |
| | | Adding Some Playful Elfish Music "Under" |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 17. The Friendly Ghost Effect |
| | | Introduction |
| | | Adding the Video Media to the Timeline |
| | | Creating a "Split Screen" Using the Crop Effect |
| | | Adjusting the Opacity of the "Ghost" Clip |
| | | Adjusting the Brightness or Contrast of Either Clip as Needed |
| | | Applying a Ghostly Effect |
| | | Adding Transitions for the Ghost's Entrance and Exit |
| | | Adding a Haunting Melody |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 18. The Multiple You Effect |
| | | Introduction |
| | | Adding the Video Clip to the Timeline |
| | | Identifying, Marking, and Splitting Each Clip by "Triplet" |
| | | Separating and Moving the Triplet Clips |
| | | Applying the Crop Effect to All Clips |
| | | Adjusting the Crop Effect for Each Clip |
| | | Fine-Tuning the Timing of the Conversation |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 19. The Super Hero Effect |
| | | Introduction |
| | | Adding the Superboy Clip to the Timeline |
| | | Removing the Green Background from Behind Superboy |
| | | Adding the Chroma Key a Second Time |
| | | Removing the Last Remnants of Green |
| | | Adding the Cloud Background |
| | | Brightening the Super Hero in the Sky |
| | | Adjusting the Direction and Speed of the Clouds |
| | | Setting Our Hero's Flight in Motion |
| | | Adding Super Sound Effects |
| | | Adding a Super Soundtrack |
| | | Adjusting the Starting Point for Superboy's Appearance |
| | | Adjusting the Fade In and Fade Out for the Soundtrack and Clouds |
| | | Making Adjustments, Rendering, and Exporting |
| | Chapter 20. The Around the World Effect |
| | | Introduction |
| | | Loading the Travel Clips for the Project |
| | | Loading the New England Clips to the Timeline |
| | | Applying the Green Screen Key to the New New England Reporter Clip |
| | | Making Adjustments to the New England Scene |
| | | Loading the San Francisco Clips to the Timeline |
| | | Applying the Green Screen Key to the San Francisco Reporter Clip |
| | | Making Adjustments to the San Francisco Scene |
| | | Loading the Hawaii Clips to the Timeline |
| | | Applying the Green Screen Key to the Hawaii Reporter Clip |
| | | Making Other Adjustments to the Hawaii Scene |
| | | Adding a Little Travelling Music |
| | | Making Adjustments, Rendering, and Exporting |
| | Index |