Chapter 7. Lip Synchronization
A multimedia session comprises several media streams, and in RTP each is transported via a separate RTP session. Because the delays associated with different encoding formats vary greatly, and because the streams are transported separately across the network, the media will tend to have different playout times. To present multiple media in a synchronized fashion, receivers must realign the streams as shown in Figure 7.1. This chapter describes how RTP provides the information needed to facilitate the synchronization of multiple media streams. The typical use for this technique is to align audio and video streams to provide lip synchronization, although the techniques described may be applied to the synchronization of any set of media streams. Figure 7.1. Media Flows and the Need for Synchronization A common question is why media streams are delivered separately, forcing the receiver to resynchronize them, when they could be delivered bundled together and presynchronized. The reasons include the desire to treat audio and video separately in the network, and the heterogeneity of networks, codecs, and application requirements. It is often appropriate to treat audio and video differently at the transport level to reflect the preferences of the sender or receiver. In a video conference, for instance, the participants often favor audio over video. In a best-effort network, this preference may be reflected in differing amounts of error correction applied to each stream; in an integrated services network, using RSVP (Resource ReSerVation Protocol), 11 this could correspond to reservations with differing quality-of-service (QoS) guarantees for audio and video; and in a Differentiated Services network, 23 , 24 the audio and video could be assigned to different priority classes. If the different media types were bundled together, these options would either cease to exist or become considerably harder to implement. Similarly, if bundled transport were used, all receivers would have to receive all media; it would not be possible for some participants to receive only the audio, while others received both audio and video. This ability becomes an issue for multiparty sessions, especially those using multicast distribution. However, even if it is appropriate to use identical QoS for all media, and even if all receivers want to receive all media, the properties of codecs and playout algorithms are such that some type of synchronization step is usually required. For example, audio and video decoders take different and varying amounts of time to decompress the media, perform error correction, and render the data for presentation. Also the means by which the playout buffering delay is adjusted varies with the media format, as we learned in Chapter 6, Media Capture, Playout, and Timing. Each of these processes can affect the playout time and can result in loss of synchronization between audio and video. The result is that some type of synchronization function is needed, even if the media are bundled for delivery. As a result, we may as well deliver media separately, allowing them to be treated differently in the network because doing so does not add significant complexity to the receiver. With these issues in mind, we now turn to a discussion of the synchronization process. There are two parts to this process: The sender is required to assign a common reference clock to the streams, and the receiver needs to resynchronize the media, undoing the timing disruption caused by the network. First up are discussions of the sender and the receiver in turn , followed by some comments on the synchronization accuracy required for common applications.  |
EAN: 2147483647
Pages: 108