DV users have the easiest ride through the Project Settings interface. The beauty of DV is that it should not suffer any quality degradation throughout the entire video-capturing and editing process. If you create a project in DV, you always can change the output settings to whatever you want, whenever you want. DV gives you flexibility and keeps things simple. So if your "raw" video is DV, then your choices are easy. If you're in North America, Japan, or Korea you'll most likely use DV-NTSC. In Australia, China, South America, or most of Europe you'll probably use DV-PAL. And if you're in France, Africa, or the Middle East, SECAM is the TV standard.
You have only three other real options within the DV environment (other than NTSC, PAL, or SECAM): Real-time Preview, screen width, and audio. Real-time Preview is new to Premiere 6.5. If you have a reasonably fast system, selecting a preset from this list means you can view video effects and transitions between clips in real time without rendering. Even if you don't opt for Real-time Preview now, you can easily select it later. Screen width depends on the source: wide screen (16:9 aspect ratio) or the standard 4:3 ratio. Your most likely choice is "standard" because few camcorders have a true wide-screen setting.
Your preset audio options are 32 KHz and 48 KHz (44 KHz is music CD quality audio). KHz is the audio "sampling" rate ”in these cases, 32,000 or 48,000 samples per second. The higher the sampling rate, the closer the digital sound mirrors its original source. Rule of thumb: Because most DV camcorders record audio at 48 KHz, you should choose that figure. |