| | Digital Photography Expert Techniques, Second Edition |
| | introduction Introduction |
| | Chapter 1. A Plan for Nondestructive Workflow |
| | | Section 1.1. Getting the Camera Ready |
| | | Section 1.2. Computer Equipment and Configuration |
| | | Section 1.3. Image Downloading |
| | | Section 1.4. Winnowing Your Shoot |
| | | Section 1.5. Backing Up Originals |
| | | Section 1.6. Presentation for Client Approval |
| | | Section 1.7. Preliminary Editing |
| | | Section 1.8. Final Output |
| | Chapter 2. Be Prepared |
| | | Section 2.1. Pre-Set Your Camera |
| | | Section 2.2. Take Along the Basic Accessories |
| | | Section 2.3. Know When Not to Shoot RAW |
| | | Section 2.4. Start in Program Mode |
| | | Section 2.5. Light Metering Tricks |
| | | Section 2.6. Tricks for Steady Shooting |
| | | Section 2.7. Stop the Action |
| | | Section 2.8. Go Where Few Have Gone Before |
| | | Section 2.9. Collect Backgrounds, Clouds, and Stuff |
| | | Section 2.10. Calibrate Your Monitor |
| | Chapter 3. Bridging the Gap |
| | | Section 3.1. How Bridge Differs from the Browser |
| | | Section 3.2. Customizing Workspaces |
| | | Section 3.3. Working in Bridge |
| | | Section 3.4. Using Bridge for Winnowing the Shoot |
| | | Section 3.5. Add Metadata for the Record |
| | | Section 3.6. Ranking Images in Bridge |
| | Chapter 4. Streamlining Camera Raw |
| | | Section 4.1. Save to DNG |
| | | Section 4.2. Leveling and Cropping in Camera Raw |
| | | Section 4.3. Understanding Camera Raw's Tabs |
| | | Section 4.4. Automating in Camera Raw |
| | | Section 4.5. Using the Image Processor with RAW Files |
| | | Section 4.6. Differences in Camera Raw in Photoshop CS2 and Photoshop Elements 4 |
| | | Section 4.7. Opening and Adjusting Multiple RAW Files in Photoshop CS2 |
| | | Section 4.8. Using Camera Raw for Creating Effects |
| | Chapter 5. Nondestructive Layering |
| | | Section 5.1. A System of Layers for Nondestructive Editing |
| | | Section 5.2. Layer Abbreviations in Filenames |
| | | Section 5.3. What the Layers Palette Looks Like for All Stages |
| | | Section 5.4. The Magic Action for Layered Workflow |
| | | Section 5.5. Using Layer Options |
| | | Section 5.6. What You Can Do with Adjustment Layers |
| | | Section 5.7. Things You Can Do to Modify a Layer |
| | | Section 5.8. Grouping Layers |
| | Chapter 6. Nondestructive Overall Adjustments |
| | | Section 6.1. The Basic Levels and Curves Routine |
| | | Section 6.2. Adjustment Layer Advantages |
| | | Section 6.3. Using Blend Modes on Adjustment Layers |
| | | Section 6.4. Changing Hue/Saturation |
| | | Section 6.5. Color Balance Techniques |
| | | Section 6.6. Applying Color Balance Techniques to Other Images |
| | | Section 6.7. Making Destructive Adjustments on the Layers |
| | Chapter 7. Making Targeted Adjustments |
| | | Section 7.1. Tips for Using Selections |
| | | Section 7.2. Using Layers to Make Targeted Adjustments |
| | | Section 7.3. Creating Effects with Targeted Adjustments |
| | Chapter 8. Repairing the Details |
| | | Section 8.1. General Repair Toolkit |
| | | Section 8.2. Specific Types of Repair Projects |
| | Chapter 9. Collage and Montage |
| | | Section 9.1. Where to Find the Pieces for Your Collage or Montage |
| | | Section 9.2. Making a Collage |
| | | Section 9.3. Photoshop Features Especially Useful for Making Montages |
| | | Section 9.4. Matching a Knockout to Its Background |
| | Chapter 10. Creating the Wow Factor |
| | | Section 10.1. Organizing Your Layers to Apply Effects |
| | | Section 10.2. Applying Filter Effects |
| | | Section 10.3. Using the Filter Gallery |
| | | Section 10.4. Blurring Memories |
| | | Section 10.5. Satisfaction in Liquefaction |
| | | Section 10.6. Using the Warp Tool |
| | | Section 10.7. Using Lighting Effects |
| | | Section 10.8. Homemade Backgrounds |
| | | Section 10.9. Colorization Effects |
| | | Section 10.10. Pattern Overlays |
| | | Section 10.11. Photo Filters |
| | | Section 10.12. Film Effects |
| | | Section 10.13. Monochrome Effects |
| | | Section 10.14. Sharpening |
| | Chapter 11. Special Purpose Processing |
| | | Section 11.1. Stitching Images for a New Point of View |
| | | Section 11.2. Extending Dynamic Range |
| | | Section 11.3. Converting Photos to Paintings |
| | Chapter 12. Presenting Your Work to the World |
| | | Section 12.1. Printing Your Digital Images |
| | | Section 12.2. Showing Your Work |
| | | Section 12.3. Promoting Your Images on the Web |
| | | Section 12.4. Create a Digital Slide Show |
| | | Section 12.5. Saving a Digital "Positive" |
| | Appendix A. Workflow Alternatives |
| | | Section A.1. Capture One Pro |
| | | Section A.2. Raw Shooter |
| | | Section A.3. Aperture |
| | | Section A.4. Adobe Lightroom |
| | | Section A.5. iView Media Pro |
| | About the Author |
| | Colophon |
| | Index |