Index[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [Z] Save Selection command Saved Channels scanned color negatives scanned film scanned images content sharpening edge masks film grain in 2nd noise reduction resizing resolution source sharpening scanned transparencies large-format noise in vs. digital captures scanner drivers scanner noise scanners 2nd scans drum film 2nd 3rd hard-copy scans output sharpening unsharpened Schewe, Jeff 2nd screen [See also display ; monitor.] appearance of images on frequency 2nd judging sharpness with 2nd 3rd resolution 2nd 3rd screening algorithms screening, inkjet printers selections described loading loading channels as 2nd 3rd 4th Shadow tab Gaussian Blur Lens Blur Smart Sharpen 2nd shadows fading noise plugged Sharpen Edges filter Sharpen filter [See also Amount control, Unsharp Mask filter.] Sharpen More filter Sharpen tool sharpener analysis target sharpening 2nd [See also optimization.] analog case studies for [See case studies.] considerations 2nd 3rd 4th content [See content sharpening.] context-sensitive continuous-tone creative [See automation, creative sharpening.] determining type of digital evaluating images for examples of for monitor display for output [See color negatives, output sharpening.] global 2nd 3rd halftone 2nd History Brush importance of in-camera in-RIP inappropriate inkjet issues midtone 2nd 3rd 4th 5th multipass [See multipass sharpening.] one-pass optical oversharpening 2nd 3rd 4th 5th overview pixels and 2nd 3rd post-sharpening control prepress presets for 2nd presharpening actions print 2nd problems with protecting areas from 2nd purpose of 2nd quality of resolution size-sensitive source [See color negatives, source sharpening.] strategies for techniques for [See sharpening techniques.] tools for [See sharpening tools.] traditional 2nd two-pass undersharpening 2nd 3rd 4th undo operations vs. digital noise reduction when to sharpen 2nd sharpening brushes [See also opacity, brushes.] actions for before-and-after viewing depth-of-field haze-cutting 2nd History Brush overview special strategies for texture brushes 2nd sharpening haloes [See haloes.] sharpening layers automating 2nd Blend If settings for creating 2nd sharpening masks [See blurring, masks.] sharpening radius sharpening techniques History feature layer masks luminosity blending output sharpening [See color negatives, output sharpening.] Overlay/High Pass sharpening overview sharpening layer controls sharpening on layers sharpening tonal ranges sharpening tools analyzing sharpeners digital sharpening Sharpen Edges filter Sharpen filter Sharpen More filter Sharpen tool sharpener analysis target Smart Sharpen filter Unsharp Mask filter sharpening workflow advantages of 2nd 3rd automated workflows 2nd 3rd 4th automating content sharpening content optimization controlling file size creative sharpening evaluating images initial optimization multipass sharpening [See multipass sharpening.] one-pass sharpening output sharpening 2nd overview post-sharpening control sharpening passes in single-pass sharpening 2nd 3rd source optimization, digital capture 2nd source optimization, film scans traditional sharpening when to sharpen 2nd sharpness, judging with display 2nd 3rd shooting raw 2nd 3rd skin blemishes skin texture 2nd 3rd 4th Smart Sharpen dialog box Smart Sharpen filter Advanced options Amount control 2nd controls 2nd Gaussian Blur 2nd issues Lens Blur 2nd masks Motion Blur 2nd smoothing brushes 2nd [See also opacity, brushes.] snapshots soft images softening correcting with output sharpening digital captures on output softening masks source optimization [See also image source.] actions for 2nd automating considerations examples of for color negatives for digital captures 2nd for display for film scans goal of sharpening layers strong noise reduction 2nd vs. content optimization source sharpening automated sharpening layers color negatives considerations JPEG images large-format transparencies raw files scanned images stochastic screening Stop button 2nd 3rd stops, inserting in actions styles, layer 2nd 3rd 4th 5th 6th |