| | Copyright |
| | Acknowledgments |
| | About the Author |
| | Introduction |
| | Section I. Key Concepts |
| | | Layer Masks |
| | | Creating a Layer Mask |
| | | Working with Layer Masks |
| | | Quick Mask |
| | | Getting a Different View |
| | | Define Brush |
| | | Making Your Own Brushes |
| | | Define Pattern |
| | | Making Your Own Pattern |
| | | Strokes |
| | | Edit > Stroke vs. Stroke Layer Style |
| | | Free Transform |
| | | Edit Using Free Transform |
| | | Filters |
| | | Creating Effects with Filters |
| | | Blend Modes |
| | | Changing Blend Modes |
| | | From Illustrator to Photoshop |
| | | Using Illustrator Shapes in Photoshop |
| | | Adjustment Layers |
| | | Making Editable Adjustments |
| | | Blending Options |
| | | Using the Blend If Sliders |
| | | Layer Styles |
| | | Adding Editable, Scalable Effects |
| | | Threshold |
| | | What Makes a Good Threshold Image |
| | Section II. Frames & Border Effects |
| | | Technique #1. Applying a Filter to a Layer Mask |
| | | Technique #2. Displacement Mapping to a Layer Mask |
| | | Technique #3. Dry Brush Painting on a Layer Mask |
| | | Technique #4. Making Your Own Brush |
| | | Technique #5. Making Your Own Brush with a Pattern |
| | | Technique #6. Painting Along a Layer Mask's Path |
| | | Technique #7. Smudging Along a Path |
| | | Technique #8. Extracting a Border |
| | | Technique #9. Extracting a Border and Burning the Edges |
| | | Technique #10. Getting that Painted-on Look |
| | | Technique #11. Inserting a Shape from Illustrator |
| | | Technique #12. Inserting a Shape from Illustrator as a Smart Object |
| | | Technique #13. Scanning in a Shape |
| | | Technique #14. Applying a Filter to a Stroke |
| | | Technique #15. Applying Filters to Shapes |
| | | Technique #16. Painting a Border |
| | | Technique #17. Painting Along a Path |
| | | Technique #18. Painting and Smudging Along a Path |
| | | Technique #19. Using Borders from Illustrator |
| | | Technique #20. Defining a Border Brush |
| | | Technique #21. Defining a Threshold Border |
| | | Technique #22. Drawing Your Own Border |
| | | Technique #23. Gallery Print |
| | | Technique #24. Layer Style Border |
| | | Technique #25. Building FramesVersion 1 |
| | | Technique #26. Building FramesVersion 2 |
| | | Technique #27. Two-Photo Effect |
| | | Technique #28. Creating Borders with Stock Photos |
| | Section III. Color & Artistic Effects |
| | | Technique #29. Making Colors Pop With Curves |
| | | Technique #30. Making Colors Pop With Apply Image |
| | | Technique #31. Burned-In EdgesVersion 1 |
| | | Technique #32. Burned-In EdgesVersion 2 |
| | | Technique #33. Burned-In EdgesVersion 3 |
| | | Technique #34. Spotlight Effect |
| | | Technique #35. Lighting Effect |
| | | Technique #36. Gritty Extreme-Contrast EffectVersion 1 |
| | | Technique #37. Gritty Extremecontrast EffectVersion 2 |
| | | Technique #38. High-Contrast Fashion Look |
| | | Technique #39. Convert to Black & WhiteVersion 1 |
| | | Technique #40. Convert to Black & WhiteVersion 2 |
| | | Technique #41. Convert to Black & WhiteVersion 3 |
| | | Technique #42. Mostly Black & White With a Touch of Color |
| | | Technique #43. Color TintVersion 1 |
| | | Technique #44. Color TintVersion 2 |
| | | Technique #45. Make it Old |
| | | Technique #46. Gradient Map |
| | | Technique #47. Split Toning |
| | | Technique #48. Infrared Simulation |
| | | Technique #49. Selective Blurring |
| | | Technique #50. Soft Focus |
| | | Technique #51. Slide Mounts |
| | | Technique #52. Creating a Filmstrip |
| | | Technique #53. One Photo, Two Sizes |
| | | Technique #54. Photo Grid |
| | Section IV. Presenting Your Work |
| | | Technique #55. Photoshop Slide Shows |
| | | Full-Screen Slide Show |
| | | Layer Comp Slide Show |
| | | Bridge Slide Show |
| | | Technique #56. Pdf Presentation |
| | | Technique #57. Smart Picture Package |
| | | Technique #58. Web Photo Gallery |
| | | Not for the Faint of Heart… |
| | | Technique #59. Indesign Contact Sheet |
| | Credits |
| | | Model Credits |
| | Key Concept Quick Card |
| | Index |