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caches 2nd
Calligraphy tools 2nd 3rd
Title 3D 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th
Title Crawl generator
animating text 2nd
cameras
troubleshooting 2nd
video recorder/player decks 2nd
Canvas window
markers 2nd
navigating 2nd 3rd 4th 5th 6th
capture cards 2nd 3rd
Capture Presets tab 2nd 3rd
Capture Settings tab
capture/converter equipment
capturing 2nd 3rd 4th 5th
audio
Batch Capture window 2nd
devices
selecting
keyboard shortcut
Log and Capture window 2nd 3rd 4th 5th 6th 7th 8th 9th 10th
settings
configuring 2nd
Channel Blur filter
channel filters 2nd
Channel Offset filter
characters
introducing
viewing 2nd 3rd
Chroma Keyer filter
chroma levels
measuring
chrominance
Clip settings tab 2nd
clips
audio-only
multiple-track 2nd 3rd
single-track 2nd 3rd 4th 5th 6th
Basic Motion settings
Crop tool 2nd
Distort tool 2nd
Drop Shadow parameters 2nd
Motion Blur parameters 2nd
Opacity Parameter 2nd
Canvas window 2nd 3rd 4th 5th
capturing 2nd 3rd 4th 5th
characters
introducing
viewing 2nd 3rd
dragging
dropping 2nd 3rd
dragging/dropping 2nd 3rd
effects. [See also effects]
filters
adding 2nd 3rd 4th 5th 6th
applying 2nd 3rd 4th 5th 6th 7th 8th
modifying 2nd 3rd 4th
Gaussian Blur 2nd
information 2nd 3rd 4th 5th
logging 2nd 3rd 4th 5th
markers 2nd
DV start/stop detection 2nd 3rd
master clips. [See master clips]
merging 2nd 3rd 4th
middle of sequences
adding transitions 2nd 3rd
editing 2nd
music
adding 2nd 3rd 4th 5th
nests 2nd 3rd
offline
overlays 2nd
previewing 2nd 3rd
Radial Blur
Reverberation filter
adding 2nd
copying 2nd
sliding 2nd 3rd 4th 5th 6th 7th
slipping 2nd 3rd 4th 5th 6th 7th
snapping 2nd 3rd
source
managing 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th
stablizing
subclips. [See subclips ]
text
adding 2nd 3rd
Timeline window 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th
tracks
monitoring
targeting 2nd
transitions
adding 2nd 3rd
modifying 2nd 3rd 4th
Wind Blur
Zoom Blur
Color Balance filter
Color Corrector 3-way filter 2nd 3rd 4th 5th 6th
Color Corrector filter 2nd
Color Key filter
Color Offset filter
color-correction
composites 2nd 3rd 4th 5th 6th
color-correction filters 2nd 3rd
color-correction tools 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th
filters 2nd 3rd 4th 5th 6th 7th 8th 9th 10th
controls 2nd 3rd 4th 5th 6th
colors
Gaussian Blur 2nd
Radial Blur
Wind Blur
Zoom Blur
columns
sorting
COMEIN clip
Reverberation filter
adding 2nd
commands
File menu
Edit to Tape 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th
Print to Video 2nd 3rd 4th 5th 6th
Make Offline
Media Manager 2nd 3rd
company logos, creating 2nd 3rd 4th 5th 6th 7th 8th
comporession 2nd
compositing
modes 2nd 3rd 4th 5th
animating 2nd 3rd 4th 5th 6th
creating advanced composites 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th
importing movies 2nd 3rd 4th 5th 6th
rearranging 2nd 3rd 4th 5th 6th
sequences 2nd 3rd 4th 5th 6th
smoke
editing
stars
editing 2nd 3rd
Compound Arithmetic filter
Compressor 2nd 3rd 4th
MPEG-2
creating 2nd
compressors
outputting 2nd
configuration 2nd 3rd
configuration.
setup [See also formats]
configurations
selecting 2nd
configuring
In points 2nd 3rd
Out points 2nd 3rd
subclips 2nd 3rd
System Settings 2nd 3rd 4th 5th 6th 7th 8th 9th
user preferences 2nd 3rd 4th 5th 6th
audio output
labels
render control
timelines 2nd 3rd
conifguring
transitions
modifying 2nd 3rd 4th
connections
FireWire drives 2nd
controlling sound 2nd 3rd 4th 5th
controls
Audio Mixer
Canvas window 2nd 3rd 4th 5th
Color Corrector 3-way filter 2nd 3rd 4th
Color Corrector filter 2nd
filters 2nd 3rd 4th
mapping 2nd 3rd
playback
Trim Edit window 2nd 3rd 4th 5th 6th
Timeline window 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th
transport
Trim Edit window 2nd 3rd
Viewer window 2nd 3rd 4th 5th 6th 7th 8th 9th
conversions
converting
markers
QuickTime Conversion dialog box
copying
DVD Studio Pro 2nd
Edit to Tape command (File menu) 2nd 3rd 4th 5th 6th
iDVD
keyboard shortcut
MPEG-2 files 2nd
Print to Video command (File menu) 2nd 3rd
Reverberation filter 2nd
Creative Ciow, The
credits
creating 2nd
credits. [See also titles]
Crop tool
Basic Motion settings 2nd
Cross Disolve effect
cross fades, audio 2nd 3rd
cross-disolve effects
adding 2nd
cross- dissolves 2nd
Curl filter
customization
Browser window
viewing options 2nd 3rd 4th
real-time audio mixing 2nd 3rd
customizing
audio 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th
auto filters 2nd
adding keyframes 2nd
capturing 2nd
Easy Setup 2nd
interfaces 2nd 3rd 4th 5th 6th 7th
Media Manager 2nd 3rd 4th 5th
Print to Video command (File menu) 2nd
resolution 2nd
System Settings 2nd 3rd 4th 5th 6th 7th 8th 9th
user preferences 2nd 3rd 4th 5th 6th
audio output
labels
render control
timelines 2nd 3rd
video 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th
cutting 2nd
keyboard shortcut
Cylinder filter
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Table of content
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Jerry Hofmann on Final Cut Pro 4
ISBN: 735712816
EAN: N/A
Year: 2005
Pages: 189
BUY ON AMAZON
Introduction to 80x86 Assembly Language and Computer Architecture
Parts of a Computer System
The Assembly Process
Decimal Arithmetic
Appendix A Hexadecimal/ASCII conversion
Appendix E 80x86 Instructions (by Opcode)
.NET-A Complete Development Cycle
The Initial Use Case Model
The Refined Project Vision and Business Case
Dynamic Loading of Components
Requirements for Image Postprocessing Components
Performance Optimization, Multithreading, and Profiling
FileMaker 8 Functions and Scripts Desk Reference
Get(CustomMenuSetName)
Get(LayoutAccess)
Get(WindowDesktopHeight)
GetNextSerialValue()
FileMaker XML and XSLT Namespaces
GDI+ Programming with C#
Drawing a Pie Chart
Transformation with Pens
Blending Explained
Drawing Images on the Web
Appendix A. Exception Handling in .NET
Python Programming for the Absolute Beginner, 3rd Edition
Handling Multiple Clients
Binary Search Trees
Data Structures Versus Python Built-ins
A C Extension Type String Stack
C Embedding API Overview
Understanding Digital Signal Processing (2nd Edition)
REFERENCES
FFT SOFTWARE PROGRAMS
BINARY NUMBER PRECISION AND DYNAMIC RANGE
GENERATING NORMALLY DISTRIBUTED RANDOM DATA
DUAL-MODE AVERAGING
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