| | | Dedication |
| | | Acknowledgments |
| | | About the Author |
| | | Introduction |
| | | | What You'll Find in This Book |
| | | | Who This Book Is For |
| | | Chapter 1. Band Politics |
| | | | Meet the Players |
| | | | Art by Committee |
| | | | Why Bands Break Up |
| | | | Conclusion |
| | | Chapter 2. Songwriting Basics |
| | | | Song Structure |
| | | | The Recipe for Music |
| | | | The Writing Process |
| | | | Conclusion: Melody Good, Structure Good |
| | | Chapter 3. Guitars, Basses, and Amps |
| | | | Getting Your Gear |
| | | | Where to Look |
| | | | What to Buy |
| | | | Conclusion |
| | | Chapter 4. Effects |
| | | | Distortion |
| | | | Delay |
| | | | Wah Wah |
| | | | Compressor |
| | | | Reverb |
| | | | Chorus |
| | | | Volume Pedal |
| | | | Flanger |
| | | | Phase Shifter |
| | | | Pitch Shifter |
| | | | Vibrato (Also Called Tremolo) |
| | | | Noise Gate |
| | | | Envelope Filter |
| | | | Multi-Effects |
| | | | Octave Divider |
| | | | Guitar Synth |
| | | | Talk Box |
| | | | E-Bow |
| | | | In General |
| | | | Conclusion |
| | | Chapter 5. Microphones, P.A. Systems, and Troubleshooting |
| | | | P.A. Systems |
| | | | Troubleshooting |
| | | | Conclusion |
| | | Chapter 6. Drums |
| | | | What to Get |
| | | | Get Creative |
| | | | Coda |
| | | Chapter 7. Electronic Music and DJ Equipment |
| | | | Skip Frederiksen |
| | | | Keyboards |
| | | | Interview with DJ Kafka |
| | | | Interview with DJ Satan |
| | | | In Summation |
| | | Chapter 8. Operations: Practice Space and Human Resources |
| | | | A Place to Play and Some Friends to Play With |
| | | | Finding, Keeping, and Firing Musicians |
| | | | Outro |
| | | Chapter 9. Singing and Playing |
| | | | Guitar Chords |
| | | | Keyboard Chords |
| | | | Let's Get It ON! |
| | | | Summation |
| | | Chapter 10. Finding, Playing, and Putting On Gigs |
| | | | Booking Shows |
| | | | Contacts |
| | | | Contracts |
| | | | Conclusion |
| | | Chapter 11. Hardware Recording |
| | | | History |
| | | | Why Use Multi-Track Systems? |
| | | | Final Mix |
| | | | Conclusion |
| | | Chapter 12. Software Recording |
| | | | Let's Get It ON |
| | | | Advanced Sound Program Use |
| | | | Miscellaneous Stuff |
| | | | To Culminate |
| | | Chapter 13. Make and Promote Your Own CDs |
| | | | Nero |
| | | | RecordNow Max |
| | | | CD-Extra CD |
| | | | Covers |
| | | | Giving Back |
| | | | Audio Subterfuge |
| | | | Visual Subterfuge |
| | | | Promotion |
| | | | Using the Internet |
| | | | Wrap Up |
| | | Chapter 14. Business |
| | | | Band Names |
| | | | Copyrights |
| | | | Slick Guys in Suits and Ties with Little Ponytails |
| | | Chapter 15. Starting Labels and Production Companies |
| | | | Running a Record Label |
| | | | Running a Production Company |
| | | | The Final Analysis |
| | | Chapter 16. Touring |
| | | | Booking |
| | | | Merch |
| | | | Roadies |
| | | | Money |
| | | | Van |
| | | | Cheap Tickets |
| | | | Getting Along |
| | | | Advancing Shows |
| | | | Booking Agents |
| | | | General Random Advice |
| | | | Conclusion |
| | | Chapter 17. Closing Arguments |
| | | | Spouses and Kids and Jobs |
| | | | Polyamory |
| | | | Resentments, Enemies, and Stalkers |
| | | | Humility and Work Ethic |
| | | | Art KarmaAnd Green Karma (Money) |
| | | | Conclusion |
| | | Chapter 18. Interviews |
| | | | Henry Rollins |
| | | | London May |
| | | | Janis Tanaka |
| | | | Dave Brockie |
| | | | Joan Jett |
| | | | Peter DiStefano |
| | | | Jonathan Richman |
| | | Appendix A. What's on the CD-ROM? |
| | | | Movies |
| | | | PC Software Demos |
| | | | EPK (Electronic Press Kits) |
| | | | Songs |
| | | | Goodies |
| | | | Thanks |
| | | | Book Cover Photo Credits |
| | | | Contact |