You have to admit there are some pretty cools things covered here ”working with masks, faking tweens for speed, working with gradients and audio, as well as a good look into Flash's optimizing and testing tools. But it's the rhythm ”the film/video cutting language we got going here ”that floats my boat a bit higher, if you know what I mean. Establishing that kind of visual consistency and beat is a joy, both to create and to watch. The spot did indeed clock in at less than 20k 18k to be exact and DSW partners (my client) was psyched. |