C



Index


[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z]

camera rolls
     transfers
Capture Scratch directory
capturing/captured media
     24p DV capture and pulldown film
         frame rates
     24P DV render and pulldown errors
     audio capture
     Batch Capture window
     capture device selection, genlock
     capture mode
     Capture Now
     direct-to-disc camera files
    dropped frames
         consistently 2nd
         intermittently 2nd
     DV over FireWire
     file management
     FireWire capture problems 2nd
     HDV over FireWire
     medium selection
         deciding factors
         film negatives
    picture capture
         direct to-disk-camera files
         film negatives
         overview
         selection factors
         tapes
    process
         combining video and audio
         complete tape
         editing marked clips and subclips
         importing media
         logging and capturing media
         merged clips
         planning
         sync point marking
    sound capture
         DAT tapes 2nd
         files
         hard disk recorders 2nd
         overview
         picture tapes
         sync techniques
    stand-alone uncompressed systems
         device selection
         installing capture cards 2nd
     sync techniques, SMPTE
     video capture
         DV over FireWire
         FireWire DV converters
         FireWire uncompressed converters
         HDV over FireWire
         internal HD and SD cards
         PCI cards
         syncing audio and video
CCIR-601specification [See ITU-R BT.601 specification]
CDs (compact discs), archive medium
change lists
     exporting
     integrity
     leaders
     pull lists 2nd
chroma color
chroma crawls
CIFS (Common Internet File System)
Cineform HD codec
Cinema Tools
     appending filename extensions
     audio EDLs
     change lists 2nd
     change pull lists 2nd
    clip preparation
         capture mode
         commands, Batch Reverse Telecine
         commands, Conform feature 2nd
         commands, Reverse Telecine
         field patterns
         key number patterns
     cut lists 2nd 3rd
         comparing keycode numbers against edited sequences
         fixing missing elements
         locating/matching records, clip- and timecode-based
         reel adjustments and balances
    database
         accuracy
         Connect Clips command
         Detail View
         Find command
         importing telecine events log
         importing/exporting XML batch list
         List View
         manual input
         manually entering scene and shot information
         overview
         Reconnect Clips command
         Synchronize command
     discard lists 2nd
     dupe lists
     film clip naming conventions
    film lists
         comparing window burns of key numbers or ink numbers
         duplicate frames
         exporting
     film standards
     film supported
     Find command 2nd
     foreground layer lists
     information exchange
     missing elements lists
     motion effects lists
         comparing window burns to key code numbers
     optical lists
     overview
     pull lists
     Reverse Telecine feature
     scene lists
     warning lists
Cinepak
CIPs (Customer Installable Parts)
clips
     clip-to-database links
     Creator property
     frame rates, changing
     merged clips
     mismatched attributes
     motion attributes
     naming conventions
     nesting with keyboard shortcuts
    preparation
         capture mode
         field patterns
         key number patterns
         long frames
         Reverse Telecine command
     recapturing
     reconnecting
         altered
         mismatched attributes
         missing
         Reconnect Clips Cinema Tools command
     sharing
clusters
codecs (COmpressor/DECompressors)
     Capture
     data reduction
     DCT
     intraframe
     lossless/lossy
     overview
     spatial
     temporal
     wavelet based
color
     composite color
     Mac OS X system preferences
Color Corrector (one-way)/Color Corrector (3-way)
color space
     color difference components
    problems with differences
         clipping 2nd
         luma and chroma clamping 2nd
         RGB and YUV
color television broadcasting
color television recording
     color under
     component recording
         timing differences
     digital recording
    direct color
         playback
         timebase errors
colorburst signals
Comment A/B columns, exporting to EDL
Comments (Spotlight)
Common Internet File System (CIFS)
compact cassette analog audio formats
component analog video interfaces 2nd
component recording
     gain imbalances
     ITU-R BT.601 specification
     timing differences
composite analog video interfaces 2nd
composite color
composite recording
Compressor 2nd
     converting frame rates
COmpressor/DECompressors [See codecs]
computer systems
     ADC
     AGPs
     CIPs
     desktops
     device drivers/interconnections
     DVI
     GPUs
     PowerPC G4 or G5 processors
     RAM
     VGA
Conform feature, Cinema Tools 2nd
conforming film negatives
     definition
consumer TV, playback monitor
contact printing
     standard-length durations and cut handles
     transitions
Control-L control interface 2nd
Control-M (Panasonic 5-pin) control interface 2nd
Control-S control protocol 2nd
Core Audio Drives
cross-color and -luma artifacts
CRT monitors
Customer Installable Parts (CIPs)
cut handles
     preferred allowances
cut lists 2nd
     comparing keycode numbers against edited sequences
     fixing missing elements
     locating/matching records, clip- and timecode-based
     reel adjustments and balances
cutback frames
cylinders



Apple Pro Training Series. Optimizing Your Final Cut Pro System. A Technical Guide to Real-World Post-Production
Apple Pro Training Series. Optimizing Your Final Cut Pro System. A Technical Guide to Real-World Post-Production
ISBN: N/A
EAN: N/A
Year: 2004
Pages: 205

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