|
Corel Paint Shop Pro X Digital Darkroom Authors: Clark t. M. Published year: 2004 Pages: 22-24/109 |
Wrapping UpI hope the projects in this chapter inspire you to read on and to play with your digital darkroom even more. Past that, I hope they inspire you to get out and shoot some photos with which you can have fun. As you shoot more material to play with in your digital darkroom, think of some of the possible uses for the photos outside of their immediate and obvious subjects. For example, you might be tempted to use long cat hair instead of human hair for a hair transplant . I've seen some gorgeous mustaches on some of the cats in the neighborhood. Hmmm, I think I'll get my camera and go for a walk. Before I do, though, I'd like to interest you in our daily "next chapter" special. You'll laugh , you'll cry…no, wait, that will be the sobs of your victims after they see the work you've done on their digital portraits. You might still be laughing, however. Now go take some photos and I'll meet you at the next chapter when you're done. |
Chapter 2. Digital Plastic SurgeryEveryone has a few wrinkles , a regrettable nose, or at least the occasional bad hair day. Even the models on the magazine covers don't get out of bed looking that perfect. What doesn't get fixed under a surgeon's knife can be cut and pasted in the digital darkroom. So, let's learn how to use their tricks on your own photos.
Project 1: Digital Wrinkle Cream
Project 2: Colorful Contacts
Project 3: Fuller Lips
Project 4: Brighter, Whiter Teeth
Project 5: Lose 20 Pounds in 20 Minutes |
Project 1. Digital Wrinkle CreamThe years aren't always kind. Those crow's feet at the corners of the eyes are eventually accompanied by frown lines, blemishes, and leathery skin. Wrinkles add character, but they can sometimes be too much of a good thing. You can take off years of sun damage and stress in the digital darkroom.
As with the other projects in this book, you can follow along either using your own images or by downloading the ones I'm using here from the book's website. In Figure 2.1, you can see I'm using an image of a businessman, which is available from www.shutterstock.com (image 188638). He may be smiling in the photo, but he's clearly had his share of rough days. Here's how we take away stress, Paint Shop Pro-style. Figure 2.1. A photo of a businessman.
You'll notice that, whereas other projects have started with making a selection to separate part of a photo from its background, we don't need to do that here. The setting of this image is just fine. It's the subject himself we're retouching.
Smoothing the ForeheadAs with most digital darkroom projects, there are several ways to do the same thing. In this case, we're going to remove wrinkles. If your subject has a few light crow's feet in the corners of his eyes, the Dodge or Smudge brush is just subtle enough to smooth them away. The Clone Brush is another option. In the case of our current subject, however, we need heavier artillerythe Scratch Remover tool.
Pecking Away at the Crow's FeetCrow's feet, those wrinkles that form at the outside corners of the eyes, are often deeper than those on the forehead. Using the Scratch Remover tool on deep folds , particularly those near the subject's right eye, will leave behind what appears to be a poorly healed scar on the skin. We'll need to use other techniques around the eyes.
Cloning Away the Deepest WrinklesThe right eye requires yet a third technique. If you smooth it, it takes on an unfocused appearance, and we don't want that. A better choice in this instance is the Clone brush.
Finding a BalanceRemember when I said not to worry if you go a bit too far? Here's where you can bring back a hint of what you just took away. This is also where working on a new layer and leaving the original image in the background comes in handy.
Note This is purely a matter of personal taste. I found an Opacity of about 83 allowed just a hint of the original to show through without undoing all my hard work.
Our subject is looking much younger. Erasing the wrinkles, however, has enhanced the prominence of another flaw. See the blemish on the right cheek? Let's see what we can do about it. Click the Makeover tool and then select the Blemish Fixer from the tool options. Choose a size that's just a bit larger than the blemish. Center the Blemish Fixer over the blemish on the cheek, and then click. That's it! The blemish blends into the surrounding skin. As you can see in Figure 2.9, that last little touch-up has enhanced the final result. Figure 2.9. Our final image.
|
|
Corel Paint Shop Pro X Digital Darkroom Authors: Clark t. M. Published year: 2004 Pages: 22-24/109 |